Category Archives: River Dee

St Winefride’s striking fan-vaulted pilgrim shrine at Holywell, c.1480

Introduction

15th century fan vaulting in St Winefride's well

15th century fan vaulting in the under chapel at St Winefride’s well. late 15th – early 16th century

On Friday I took advantage of a sunny cold day to revisit St Winefride’s Well and its late Medieval chapels.  During the Middle Ages it was a major draw for pilgrims to north Wales,  with its shrine, beautiful bubbling spring and the Basingwerk Abbey a few minutes away.  St Winefride’s (Welsh Gwenfrewi) shrine and the Holywell (Treffynnon) parish church were granted in 1093 to St Werburgh’s Abbey in Chester for them to manage and from which to derive an income.  It was later consigned to Basingwerk Abbey.

Nothing is known about what sort of buildings preceded the late medieval building that we see today, but there are details about Saint Winefride, a list of some of the well’s most notable earlier medieval visitors and details about the measures that were taken to promote the interests of the shrine throughout its history following the Norman Conquest.  The role of the abbey in the success of the well can also be seen.

View of the chapel from the south. The chapel is over two floor. The fan-vaulted ground floor has three bays, with the central one containing the well itself. The upper chapel is fully enclosed and its entrance is on the same level as the entrance of the parish church.

An abbey with a pilgrim shrine had a range of opportunities for income generation, and St Winifred’s was famous for its powers of healing and provision of miraculous cures for centuries.  In around 1480 a wealthy patron, possibly Henry VII’s mother Lady Margaret Beaufort, invested in the shrine, providing the miraculous spring with a gorgeous, lofty fan-vaulted open-fronted chapel, as well as an enclosed chapel overhead.  Today both parts of the chapel are very well cared for, located on the edge of the Green Valley Park, which has a superb industrial heritage trail wending through it (see my earlier post here).  There is plenty of parking at both the well and at the abbey, described at the end of this post.

Fan vaulting with roof bosses. From left to right, the rebus of Elizabeth Hopton, two monkeys, a fleur de lys.

Fan vaulting with roof bosses in the lower chapel. From left to right, the rebus of Elizabeth Hopton (showing a rebus of her name, with a hop plant emerging from a barrel or tun); two monkeys, which may have a number of interpretations; and a fleur de lys (representing chastity, often used for the Virgin Mary but also suitable for St Winefride).

There’s a real sense of this being a costly but personal project, particularly in the vaulted lower chapel, which in terms of elaborate ecclesiastical architecture is tiny, although its height gives a sense of heading heavenwards.  Although no documentation survives to say who was responsible for funding the building, the Stanley family’s crests and symbols give an impression of a cherished project and the sheer amount of other imagery are reminiscent of cathedrals and large churches of the period.  It manages to be both impressive and intimate, which is quite a trick.  The chapel upstairs is more conventional in terms of both its size and its layout.  What I missed on my first visit is that the wooden ceiling supports all have sculptural elements sitting on their corbels, as well as more easily visible stone ones lower down.  In both upper and lower chapels, as well as the inherent beauty of the architecture, there is humour as well as religious, pagan, family and royal themes in the imagery.
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St Winefride's well, c.1480

St Winefride’s well, in the star-shaped basin late 15th – early 16th century

St Winefride and St Beuno

There are a number of versions of the story of the miracle of St Winefride or Welsh Gwenfrewi (also spelled Winefred and Winifred), and her uncle and tutor St Beuno.  The earliest that remain preserved date to the 12th century, and excerpts have been translated and published by T.W. Pritchard in his detailed 2009 book about the well.

Modern stained glass in the little prayer chapel next to the main chapels

Winefrede and Beuno in the modern stained glass in the little prayer chapel for worshippers today, next to the main chapels. The palm represents the spiritual victory of martyrdom, whilst the crozier (staff) symbolizes teaching, wisdom and guidance.

Winefride was born towards the beginning of the 7th century in the cantref of Tegeingl, in northeast Wales, the only child of Tyfid and his wife Gwenlo, or Wenlo, who were landholders in the area.  One of the 12th century accounts says that Tyfid’s estate was made up of four manors.

Winefride had decided to renounce marriage and to dedicate herself to God and the teachings of Christ.  Christianity was well established throughout Britain, partly due to missionaries who were often commemorated as saints for their work.  One of these was St Beuno, who had moved to the area from mid Wales and was engaged by Tyfid to teach Winefride, in return for land on which to build a church.  St Beuo built a church in a valley called Sychnant (dry valley), which is now Greenfield Valley, Holywell, where the well is located.

Sculpted figure

Sculpted figure, possibly St Beuno

One day, Winefride was at home alone whilst her parents were attending mass at the church, and a local prince, Caradog, knocked on the door.  She suggested he return later, but he became determined to marry the girl (who was of course beautiful).  Pretending to go and get changed, she ran to the church.  Caradog, realizing that he had been deceived, set out in pursuit and when he caught up with her near the door to the church, decapitated her in a fit of rage.  Beuno, hearing the noise, rushed out of the church and, finding a terrible scene, began to pray for help.  His prayers were answered.   Caradog melted into the ground, never to be seen again, and Beuno picked up her head and placed it back on her neck.  She came back to life, with only a slender white scar showing where the injury had been.  Instantly a spring erupted at the spot where her blood had been spilled.  The stones in the spring were said to be permanently red, the moss that grew around it had an aroma of incense and the waters produced miraculous cures.  The story continues, but the abbreviated version is that Winefride became a nun, moving from Holywell to Gwytherin to oversee 11 nuns as abbess, where she died and was buried.

Statue of St Winefride within the lower chapel, dating to 1886

Statue of St Winefride within the lower chapel. The niche with its elaborate and intricate canopy is original, but the medieval statue was lost, and this dates to 1886

The basics of the story, a pure and noble virgin who died rather than surrender her virtue, is a familiar one.  The spring, too, erupting where pure blood was spilled, is not unique. When St Paul the Apostle was executed by decapitation his head is said to have bounced three times, and at each place where it touched the ground a spring erupted. The linkage of springs, wells and purity are long established, and the added connection with baptism gave water particular potency in Christian thought.  Interestingly, Winefride combined the virtues of a martyr saint and a confessor saint, having first died for her beliefs and then having been resurrected to live for those beliefs and values.

Miraculous events and morality tales of this sort became a form of oral history, a mechanism by which the ideology, morality, values and essential beliefs of early Christianity, were spread and understood.  The partly fictional “lives” of saints purporting to be biographies (hagiographies) were particularly popular when distributed after the innovation of printing in England in the 1470s. St Winefride’s story, written down and transmitted via word of mouth, the monasteries, and later by the printing press, became a popular saint  and her miraculous healing well became a pilgrim destination.

The remains of the shrine to St Winefrede in Shrewsbury Abbey

The remains of the later 14th century shrine to St Winefride, Shrewsbury Abbey showing St John the Baptist at left, St Beuno at right and Winefride in the middle.

In the 1130s an account by one of the monks of Shrewsbury Abbey states that the monks had “lamented that they were very deficient in relics of saints and applied their minds to the problem of obtaining some.”  One of the monks, during a spate of sickness, had a dream that St Winefride had appeared to him and said that the monk would be cured if a mission were to be sent to Holywell to say mass at her well.  Convinced that Winefride was their patron, they decided to retrieve her bones and take them to Shrewsbury.  In 1138, over 300 years after St Winefride’s death, a contingent of monks duly went to Gwytherin. They dug up and translated (transferred) Winefride’s remains from her grave and took them back to Shrewsbury, where a shrine had been built to receive her. Legend states that during the journey a spring appeared at Woolston near Oswestry, where her bier was briefly placed on the ground during the journey (a photo of this is shown further below).  A new shrine was built to house her relics at Shrewsbury Abbey in the late 14th century, a fragment of which survives and is shown above. It was destroyed during one of the attacks on the monastery.
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The Shrewsbury Abbey church

The Shrewsbury Abbey church (the rest of the abbey was demolished, now replaced by a road and a car park)

The Spring that feeds St Winefride’s Well

St Winefride’s well is built over the point at which an ancient spring, an underground stream, erupted to the surface, producing a quite dramatic spectacle of fiercely rushing water, particularly after rainfall.  That was not the same spring that is seen today.

St Winefride's well

St Winefride’s well

In 1917 mining activities at Halkyn cut through the stream, causing a change in flow direction so that the stream now emerges at Bagillt on the edge of the Dee estuary, causing both dramatic change to the industries along the valley and to the well itself, which dried up.  The current spring water that enters the star-shaped basin beneath the vaulted roof now bubbles delightfully, but this comes from another spring that was diverted for the purpose, and has none of the vigour or volume of the original spring.
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The History of the Well

Hugh Lupus and the Abbey of St Werburgh

Romanesque elements surviving from the first Abbey of St Werburgh

Romanesque elements surviving from the first Abbey of St Werburgh

Today Chester Cathedral is a largely Gothic vision, with pointed arches and vaulting with roof bosses, but when it was built as St Werburgh’s Benedictine Abbey in around 1093 it must have been a superb example of the Romanesque curves and rounded arches brought to England by the Normans.  The abbey’s founder was Hugh d’Avranches (better known as Hugh Lupus, c.1047-1101), Earl of Chester, who had been appointed to Chester by William the Conqueror.

Holywell, including St Winefride’s Well and the parish church, were part of Hugh’s new territory. Earl Hugh gave Holywell to his wife, Adeliza, and she in turn awarded it to the abbots of St Werburgh’s Abbey.  A religious attraction like Holywell, with its miracle-producing shrine and its attached church cold produce a good income for an abbey, which took control of the tithes (a sort of religious tax) owed to the church, and to the oblations (gifts from pilgrims and visitors) to the holy shrine.

Transfer of ownership:  Basingwerk Abbey and subsequent transfers

The building that may have been part of the guest quarters at Basingwerk Abbey. Its burned timbers were dendro-dated, giving the roof a date of c.1385

Because it was located in a region that was a territorial bone of contention between the Welsh princes and the English kings during the 13th century, Holywell could be in either English or Welsh territory.  When Basingwerk Abbey was founded in 1131 by Ranulf II Gernon, Earl of Chester, it must have been a source of some discontent to the new abbot that such a rich potential source of income was sitting on the doorstep and benefiting a rival monastic order in Chester.

Fortune smiled on Basingwerk Abbey.  Holywell was granted to it in the 12th century.  It was briefly back in the hands of St Werburgh but in 1196 it was once again assigned to the monks at Basingwerk by the Welsh prince of Gwynedd, Llywelyn the Great (ap Iorwerth, c.1173-1240), who had pushed his frontiers east.  This gift was confirmed in 1240 by Llywelyn’s grandson Dafydd ap Gruffudd (and younger brother of Llywellyn ap Gruffudd known as Llywelyn the Last), who in a turncoat deal with Edward I had been given lands in northeast Wales following the Treaty of Aberconwy. Basingwerk then retained Holywell and its religious assets for nearly 300 years until Henry VIII suppressed the monasteries in the 1530s.  Although they suffered under Edward I’s final conquest of Wales, Baswingwerk and Holywell survived, which is more than either Llywelyn or Dafydd managed to achieve, being killed in 1282 and 1283 respectively.

St Winefrede Well at Woolston

St Winefride Well at Woolston. Source: Shrewsbury Orthodox Church

It is not known what the Holywell pilgrim shrine looked like throughout the changes of ownership between the two abbeys, as no descriptions or images survive.  The shrine and temple would have been built of wood in its earliest years.  In one of its doubtless numerous iterations it is quite likely to have looked something like the small pilgrim shrine at Woolston near Oswestry, shown on the left, also dedicated to St Winefride.  Wooden buildings were replaced by stone buildings when those buildings began to be well used. The first stone parish church at Holywell is thought to date to around the 14th century, and it is possible that the shrine was revamped at the same time.

Promoting the interests of the Holywell shrine

Statue of St Winefrede in a niche in the Henry VII Chapel, Westminster Abbey

Statue of St Winefride in a niche in Henry VII’s early 16th century Lady Chapel at Westminster Abbey. Source: Pritchard 2009, p.71

The task of ensuring the continuing success of St Winefride and the holy well, important both for monastic income and the economy of the Holywell, was occasionally given an official helping hand.

In 1253, for example, a request was made to the Cistercian General Chapter (the governing body of the Cistercian monastic order) to allow a “Feast of 12 Lessons” to be held annually on the saint’s Feast Day at Buildwas Abbey in Shropshire, and Basingwerk Abbeys, the two of which had become connected in a hierarchical relationship some time after Basingwerk was absorbed into the Cistercian order.  The normal feast was of 9 lessons (prayers and readings), and the fact that this was of 12 indicates the respect in which Winefride was held.  The request was authorized, meaning that St Winefride’s Feast was more likely to attract pilgrims to both of the abbeys as well as the Holywell shrine.

In 1398 the annual feast of St Winefride, which had been confined to north Wales and the Marches, was extended to the entire Canterbury area  by Archbishop Roger Walden.  In 1415 his successor Henry Chichele who had a particular interest in Welsh saints having been Bishop of St David’s, a centre for pilgrimage in south Wales, raised the profile of St Winefride’s cult still further.

Richard II established a chantry (payment to a member of the clergy in return for prayers and the saying of mass for the dead of a particular family) in 1377.  This was renewed annually by each subsequent king until the Dissolution, after which chantries and the mass were no longer legal.

An example of an Indulgence, this one issued in London. Source and details: Essex Records Office.

An example of an Indulgence, this one dated 1480 and issued in London. Source and details: Essex Records Office.

In 1427 the shrine’s popularity was assured when Pope Martin V granted indulgences over a ten year period for those who made the pilgrimage to the shrine and gave oblations to the chapel.  Indulgences were mechanisms for rewarding certain activities, mainly those that generated income for the Church, including pilgrimages, by reducing the time an individual spent in purgatory by a specific number of years and days.  In this case the time reduced was a year and forty days.  It was a way of trading off human fear of what followed death, but a ruthless way of raising funds, later famously condemned by Christian revisionist Martin Luther in his Ninety Five Theses.

The role of the well in the Middle Ages

North entrance to the under-chapel at St Winefrede's Well.

North entrance to the under-chapel at St Winefrede’s Well.  The barriers detract from the aesthetics but do prevent people falling in.

The well can be understood in a number of ways, all from different viewpoints.

From the point of view of Basingwerk Abbey, which had authority over the well and its shrine, it was both a source of prestige and income.  The prestige of having the miracle directly connected with an Anglo-Saxon saint was considerable, giving it a historical validity with real time-depth, with roots in the distant past.  Not only was Winefride a miracle-working virgin saint, but she had gone on to become a nun, and then an abbess.  Her credit and sanctity were flawless.  This status and prestige attracted pilgrims, and with them a source of potentially considerable income. The  importance of miraculous places of pilgrimage grew in the medieval period, and pilgrims not only brought donations (alms) but those with money also contributed to the local economy, meaning that the abbey was a contributor to that economy.  However, pilgrims could be a double-edged sword, as they also required some management to prevent them becoming a drain on the abbey’s obligation to provide shelter and food under the general heading of “hospitality,” to which the Cistercian order was committed and which included some form of accommodation and the supply of meals.

Rebus of Elizabeth Hopton's last name (a hop plant emerging from a tun, a type of Barrel

Rebus of Elizabeth Hopton’s last name (a hop plant emerging from a tun, a type of Barrel

From the point of view of pilgrims, miraculous venues offered a range of opportunities, depending on the motives for visiting.  The natural spring was said to have miraculous healing properties, and many will have travelled to be cured, whether rich or poor.  Others were engaged in a form of spiritual tourism, visiting all the most important shrines and relics either in a given area, throughout Britain and sometimes overseas.  Within the Welsh and border areas, Holywell was part of a pilgrim circuit with Basingwerk (with the Holywell shrine), St Asaph (Llanelwy, the church of the 6th century miracle-performing saint), Chester (with the Holy Rood of St John’s and St Werburgh’s shrine in the Abbey), together with other churches and monuments, and this could also be extended to reach the sacred Bardsey Island.

Archway leading to the steps into the well

Archway leading to the steps into the well

The medieval world was very concerned with the challenge of how to manage an afterlife that began with the terrors of Judgement Day and Purgatory.  Visiting saints’ shrines, or just being in close proximity to them, was a way of gaining proximity, at a little distance, to the divine, with the hope that some of it might, in some mystical way, rub off.  Just by touching a shrine, a little of the incredible divine energy could pass into a person; immersion in the spring that emerged from the spilling of a virgin saint’s blood must have seemed like being wrapped in the saint’s divinity.  This did no harm to nearby residents, who must have had a sense of the power of the shrine.

Likewise, monasteries that were filled to the brim with those devoted to Christian worship, whose virtue made them next in godliness to saints, were considered to be invaluable assets to those who lived in their vicinity.  The wealthy chose to be buried within monastic precincts, as close as possible to the most sacred areas.  In churches people wanted to be at the interior east end of churches or, if they were not sufficiently influential to be buried inside, as close outside to the east end as possible. The presence of the abbey so close to the shrine gave Holywell a particular religious vigour.

As well as religious benefits to outsiders, there were economic benefits to the local population.  Basingwerk Abbey had various agricultural (mainly livestock) and industrial (including silver mining) interests in the immediate area that would have employed many rural people, but as the medieval period shook off the manorial control that bound people to the land, the Holywell shrine offered potential for new opportunities, including hospitality and, if other pilgrim centres are anything to go by, the manufacture and sale of souvenirs.

Visitors and patrons in the Middle Ages

Pilgrim being carried to the healing waters of the spring

Pilgrim being carried to the healing waters of the spring. The 15th-early 16th century well shrine.

In the Middle Ages there was no clear dividing line between physical and spiritual health.  The idea of illness was embedded into the belief that the body was composed of a series of complex components that required balancing what were understood to be the essential fluids (blood, phlegm, black bile and yellow bile) with the elements (air, water, fire and earth) and their key characteristics (hot, cold, wet and dry) as well as astrology. Deficiencies and excesses in any one component might put the entire complex equation for stability and harmony in jeopardy.  When attempts to achieve balance these failed, and the person remained sick in body, mind or, for that matter, sin, pilgrimage was often seen as the most logical next step.  Pilgrims understood that this was a two-way street and that they would have to make some sort of sacrifice, part of which might be the difficulty of undertaking the journey, but gifts and promises of reform were also part of the negotiation.  Pilgrimages were undertaken for many other reasons too, but the healing properties of St Winefride’s shrine were probably the main attraction to most visitors.

Medieval ampulla for carrying liquids or earth from a pilgrim site

Example of a medieval ampulla used for carrying liquids or earth from a pilgrim site. Source: The Mobility of Objects across Boundaries

St Winefride’s recorded visitors and patrons are a roll-call of the celebrities of the era, the royal and the aristocratic, who were major marketing coups for Basingwerk.  Although those few known by name are listed below, the everyday participants along the pilgrim routes were more often ordinary people.  Reasons for their travels varied, including seeking to undertake a spiritual journey for personal improvement (perhaps one of many journeys);  to offer thanks for prayers that were answered; or to seek divine assistance for problems and maladies by asking a specific saint to intercede for them with God.  Some pilgrims also acted for those who were unable to attend themselves, offering prayers on their behalf, and returning home with garlands of the sacred moss or filling small flasks with the miraculous water.  These ordinary pilgrims from a wide variety of backgrounds always get lost in documented history, the Middle Ages being just as concerned with celebrity endorsements as the west is today, but were nevertheless the most essential components, the bread and butter raison d’être of a living shrine and the institution that managed it.

Ranulph II, Earl of Chester. Source: Wikipedia

Between 1115 and 1119 the second earl of Chester, Richard d’Avranches, son of Hugh Lupus made pilgrimages to the well.  With the shrine of St Werburgh within the Chester city walls, it might have been thought that he would look closer to home, but Richard is thought to have fallen out with the monks of the abbey.  In addition, it is not really a pilgrimage if it is only a ten minute walk, and Richard may have felt the need to make more of a gesture.  Ironically, a miracle took place during the pilgrimage, when Richard became cut off from his forces and his constable in Wirral prayed for assistance but as St Werburgh had been chosen rather than St Winefride, this was chalked up to a win for the Chester abbey.

In 1131 Ranulf II Gernons (1099-1153), fourth earl of Chester, founded the new Savignac (later Cistercian) Basingwerk Abbey somewhere in the area, presumably made of wood.  It is thought that it was moved to its current location in around 1157 to be rebuilt in stone, and this new location was very probably influenced by the presence of the nearby holy well, even though it was at that time part of the landholding of St Werburgh’s Abbey.

It is said that in 1188 or 1189 Richard I, the Lionheart (ruled 1189-1199), made a pilgrimage to Holywell.  Quite where he would have found the time is anyone’s guess.

Flint Castle

Flint Castle on the Dee Estuary, construction having begun in 1277

There is no record of Edward I (reigned 1272 to 1307) making a pilgrimage, but he presumably had no need to put himself to any real effort to visit either the abbey or the shrine, as by the 1270s he was already in the area.  In 1277 he began to build Flint Castle 6.9km/4.3 miles down the road from Basingwerk.  Whilst the castle was under construction it seems reasonable to assume that Edward was a frequent guest at the nearby monastery, and that he took the opportunity to visit the shrine.  In fact, Edward’s castle in Flint may have resulted in a busy time all round for the abbey, the church and the shrine, as the 100s of workers at the castle would have had at least some downtime and would doubtless have sought out a powerful religious shrine so close by.

In 1282 Edward’s armies returned to northeast Wales to engage with the Welsh princes once again, doing substantial damage to monastic lands in the process.  It is recorded that part of Holywell was burned, but it is not stated whether this was the village, the shrine or nearby buildings.  The abbey estates were certainly harmed, with the lost of crops and livestock, and Edward found himself compensating both Basingwerk and other Welsh abbeys that had come under fire during the fighting.  Pilgrims were presumably rather short on the ground at this time, but Edward and his armies probably formed part of the narrative of the abbey told to future pilgrims.

Miniature of Henry V

Miniature of Henry V, c.1411. Source: Wikipedia

According to chronicler Adam of Usk, Henry V (reigned 1413-1422) visited in around 1416, following his success at Agincourt, to give thanks, walking on foot to Holywell from the Shrewsbury abbey to which Winefride’s remains had been translated (moved) in 1138 from where she was originally buried in Gwytherin.  I have not found any reason why Henry would have singled her out to request support in battle, but apparently he prayed to her for assistance and his pilgrimage was an offering of thanks, which created a considerable stir.  Perhaps he had encountered the shrine as Prince of Wales during the military campaigns against Owain Glyndŵr that began in his father’s reign and which he ultimately suppressed.

The Earl and Countess of Warwick made gifts to the shrine in the 1400s there is is not stated that they ever visited.

Henry IV Bolingbroke (reigned 1399-1413) took the throne from Richard II (reigned 1377-1399), with Richard surrendering to Henry at Flint Castle in 1399.  It is possible that whilst he was in the area, Edward took the opportunity to visit St Winefride’s shrine, probably connecting with the monks at the same time.

In 1461 the Welsh bard Tudur Aled wrote that Edward IV (reigned twice in 1442-1483 and 1471-1483) had visited the shrine, but quite why is unclear.  He was a member, by descent, of the Mortimer family who had extensive properties in the Welsh Marches, in Chirk and Denbigh. There was, in fact, considerable resistance to Edward IV in areas of north Wales, including the rebellion of Owain Glyndŵr.  There is nothing in general events of that year that would seem to account for him being in Holywell, although Pritchard suggests that it might be connected with renewing the royal chantry, which seems like the most plausible reason.

St Winifrede's well by John Ingleby. Source: National Library of Wales via Zone47

St Winefrede’s well by John Ingleby (1749-1808) showing crutches slotted into the stonework above the spring.  Note the gallery at the left, and the mill wheel through the doorway.  Source: National Library of Wales via Zone47

Whether royal, aristocratic or of more humble origins, pilgrims continued to visit throughout the medieval period, and pilgrims continue to visit continue today.  As well as the sculpture on the left in the well chapel, showing a pilgrim being carried to the spring on an other man’s back (one in need, the other showing compassion) the visitor centre has examples of later wooden crutches that were apparently discarded after miracle cures had  been received.  In 18th and 19th century engravings crutches are shown slotted into the stone structure of the pilgrim shrine presumably as a record of successes and gestures of thanks (see the John Ingleby coloured engraving towards the end of the page).

For visitors to Holywell and the shrine in the post-medieval periods, which are not covered here, see the Early Visitors in Wales page dedicated to Holywell.

The late Gothic chapels

The patrons of the new chapels

Ceiling boss showing Lady Margaret and the Earl of Derby

Ceiling boss in the lower chapel allegedly showing Lady Margaret with her husband Thomas Stanley, the Earl of Derby

It has passed into tradition that the founder of the chapel that we see today was Lady Margaret, née Beaufort.  Lady Margaret was the mother, by her first husband, of the future King Henry VII who was the founder of the fan-vaulted Lady Chapel in Westminster Abbey, designed by Robert Vertue.  Lady Margaret, born 1443 had married three times by the time she died in 1509, her last husband being Thomas Stanley, Earl of Derby, a member of an important and wealthy local family in the Wrexham area.  She is thought to have patronized St Giles in Wrexham, St Mary the Virgin in Mold and St Chad’s in Farndon.  She sponsored two publishers, both of whom (possibly at her suggestion) published lives of St Winefride.  The involvement of the Stanley family, whether Lady Margaret was involved or not, is suggested quite strongly by the number of relevant carvings in the chapel, including:

  • A sculptural portrait thought to represent Lady Margaret and her husband Thomas Stanley (1435-1504), Earl of Derby (although with very little data, if any, to substantiate the identification)
  • Over the outside of the door to the gallery there is a the portcullis emblem that Henry VII (reigned 1485-1509) derived from Lady Margaret
  • The arms of Sir William Stanley (died 1495), brother of Thomas Stanley showing a wolf’s head enclosed in a garter (rewarded by Henry VII for his role in the Battle of Bodsworth of 1485 but executed in 1495 for conspiracy)
  • The arms of Sir William Stanley’s wife Elizabeth Hopton (died 1498) showing a barrel and a plant, forming a rebus – hop and tun – of her name
  • The 3-leg symbol of the Isle of Man reflects Sir John Stanley’s new title of Lord of Man, gifted to him in 1405 by Henry VII for his support during the War of the Roses
  • Other Stanley emblems including a stag’s head and eagle’s legs
  • Tudor emblems, including the dragon and greyhound in the spandrels of one of the doorways
  • The Royal arms of England and Wales at the end of the pendant ceiling boss over the spring
  • The coat of arms of Queen Katherine of Aragon (1485-1536), the wife of Henry VII’s son Arthur before Arthur’s death in 1502, featuring three pomegranates topped with a crown. Lady Margaret was her grandmother-in-law, dying in the same year as Katherine’s marriage to Arthur’s brother Henry VIII (reigned 1509-1547) in 1509

In addition, Henry VII chose to include a statue of St Winefride in a niche in the north apse of his own Lady Chapel in Westminster Abbey.  She is shown with her head on her shoulders, but there is also a small head on its side at her feet, sitting on the top of the well.

Lower chapel roof bosses.

Lower chapel roof bosses. Clockwise from top left:  Arms of Katherine of Aragon; Wolf-head shield of Hugh I or Richard d’Avranches (probably the latter); Either St Winefride or the Virgin Mary, very battered but originally two angels placed a crown on her head; the base of the pendant boss shows the royal arms of England and Wales whilst the pendant itself shows scenes from the life of St Winefride (very worn); the legs of the Isle of Man, off centre; greyhound and to its left dragon, both symbols of the Tudors (on opposing doorway spandrels).

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St Winefride's Well. NLW 1129695. National Library of Wales.

St Winefride’s Well c.1790. NLW 1129695. National Library of Wales via Zone47 Zone47.

The construction of the two chapels, above and below, seems to have been overseen by Abbot Thomas Pennant of Basingwerk, who held the abbacy from 1480 – c.1522.  T.W. Pritchard has argued that there is evidence form contemporary Welsh bardic-style poetry to assign the patronage and building to Abbot Thomas, but the weakness in this interpretation is that the bards connected with, and often living at, monastic properties were often effusive, fulsome and sycophantic, and not necessarily truthful.  The poets were making no attempt to capture history, creating a highly partial view of the world as they experienced it in hyperbolic language as an art form. Nor is it at all clear whether Abbot Thomas would have known of the fan vaulting style, or where he would have found an architect to produce it.  On the whole, given that I have seen no argument that the above family-related topics were added at a later date, the data seems to favour the Stanley family as the creators of the chapel, with Abbot Thomas managing the build locally, and perhaps investing in some of its creation.  Without documentary data this remains uncertain.

The concept

Plan and elevation of St Winefrede's Well. Source: Journey to the Past

Plans and elevations of St Winefride’s Well, lower and upper chapels. Source: Journey to the Past (a collaboration between Bangor University, the University of Wales Centre for Advanced Welsh and Celtic Studies (CAWCS) and the Royal Commission on the Ancient and Historic Monuments of Wales)

The late Gothic buildings that we see today came late in the well’s medieval history.  The style, late Perpendicular, comes towards the end of the 15th and beginning of the 16th century, only a couple of decades before Basingwerk Monastery was suppressed in Henry VIII’s Dissolution, shortly after which Edward VI began a policy of suppressing Catholicism.  It is not know what the chapel and well looked like before this time, because there are no images or descriptions, but the new architectural conceptualization design, consisted of two parts, the lower fan-vaulted well chapel, and over the top of this a more conventional church-like structure with a nave, side aisle, chancel and stained glass windows, with more sculptural elements.  These are discussed further below.

Holywell upper chapel and parish church

The parish church on the right and the upper chapel of St Winifride’s Well on the left, showing their proximity

The design was governed by how pilgrims used both the well and the neighbouring church.  Pilgrims would arrive in Holywell at the abbey.  Some of them would take advantage of the abbey’s hospitality.  In the late medieval period the abbot was responsible for new stone-built accommodation for visitors, but there must have been provision previously, perhaps built in wood.  For those who wanted to stay elsewhere, the late medieval town would have offered alternatives.

The upper chapel, looking west

For pilgrims staying at the abbey, a walk to the holy well would have been guided by a monk who would lend monastic authority to the event.  On arrival at the shrine, pilgrims would have been taken up to the chapel to pray and receive guidance before they could proceed to the shrine itself.  The upper chapel was designed to hold large numbers of people in a church-like layout and environment.  It was only a few steps away from the parish church where visitors could also attend services.  The placing of the upper chapel over the top of the well was a clever way both of making the most of the steep hill, and of linking the well with the parish church.  The design of the three bays of the shrine took pilgrims in a procession that entered through one entrance, proceeded around the shrine and lead either out the other side.  There were steps down into the well itself.

Lower Chapel

The well with the ceiling pendant boss overhead, which showed scenes from the life of St Winefrede around it, and the Royal arms of England and Wales at its base

The well with the ceiling pendant boss overhead, which showed scenes from the life of St Winefrede around it, and the Royal arms of England and Wales at its base.

At the level of the spring is a tall, narrow open-fronted well chapel, with a lofty fan-vaulted ceiling on slender compound piers over three bays of which the middle, encompassing the well, is the largest.  The chapel defines a processional area where people could enter at one side, circle the star-shaped basin where the spring emerges, and light candles before and leaving at the other side.  One theory is that the almost star-shaped well represented the Pool of Bethesda.  A staircase led to a gallery where people could look down into the well.  A rectangular pool received the spring waters outside, in a similar way as it does today, but images from the 18th century suggest that the much greater volume also allowed it to run out of the other end of the pool as a strong stream flowing down the hill.

The fan vaulting had sculptural roof bosses wherever there were joints.  The opportunity was taken with nearly all of them, big and small, to create sculptural elements, some of which are shown below.  The main pendant roof boss, suspended over the centre of the spring well, has the royal coat of arms of England and Wales on the base, whilst the sides shown scenes from the life of St Winefride. The columns around the well are now broken, the remaining stumps at two levels shown in the photograph above, but once formed an intricate screen, with filigree-style details in the spandrels.  The string-course of decorated stone along the top of the well was also decorated in the same way.

The entire effect must have been very like a tiny, sublime cathedral in rural northeast Wales.
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The themes on the ceiling bosses and other areas of the lower chapel show some interesting choices.  As well as the heraldry relating to the Stanleys listed above, there are some ceiling bosses relating to Winefride, Beuno and other religious themes, other families, and plant and animal motifs.

Upper Chapel

The upper chapel

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The upper chapel, looking east to the chancel

The upper chapel, looking east to the chancel

Over the top of the lower well chapel was an enclosed chapel, designed with a conventional nave and chancel, with one truncated side aisle, to which pilgrims could proceed following their experience at the spring to worship and hear services. The design of window openings and arches is Perpendicular with wide, flattened arches and tall mullioned windows that allow plenty of light into the space.  side aisle sits directly over the well, whilst the chancel at the east end extends beyond the space enclosed by the lower chapel.

The north aisle, overlooking the pool

The north aisle, over the top of the well and overlooking the pool. Only one aisle was built.

The camberbeam roof over the nave

The camber-beam roof over the nave

Modern stained glass window in the chancel

Modern stained glass window in the chancel

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As with the lower chapel, the upper chapel has some rather wonderful sculptural elements, with much less emphasis on family symbolism, and much more on the sort of themes that are found in the margins of illuminated manuscripts, on misericords, and in the roof areas of churches.  They include scenes of everyday life; pagan, mythological and religious motifs; and two humourous grotesques.  The wood carvings, high in the chancel and the nave on stone corbels are difficult to see due to their height and the lack of light.  The stone carvings, which are lower down, are quite easy to make out.

My photos of the wood carvings were frankly diabolical.  I couldn’t actually see what I was photographing in the chancel, so just pointed the camera and hoped for the best.  Even after applying Photoshop, in some cases I am still none the wiser.  Apologies, therefore, that there are so few of them.  A torch would be a handy accessory if you are thinking of visiting.

Sculptural elements from the upper chapel.

Sculptural elements from the upper chapel.

The chapel was considerably altered in the 1700s but has since been restored to something close to its previous appearance.
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The Dissolution of the Monasteries

The opening page of the Valor Ecclesiasticus, showing Henry VIII.

The opening page of the Valor Ecclesiasticus, which valued each of the main monasteries, showing Henry VIII. Source: Wikipedia

The suppression of the monastic houses from 1535 was Henry VIII’s multi-pronged strategy to gain a divorce from Katherine of Aragon, denied to him by the Pope (Katherine was fortunate enough to retain her head); to escape the authority of the Pope and the bishops and place himself as the head of the Church; to strip monasteries and priories of their valuables to raise funds for the Crown; and to release estates from formerly powerful monastic landholders, which enabled him to redistribute land, wealth and power, which he could use to generate money and to negotiate for long-term political support.  In order to assess the value of the nation’s monastic holdings, his hench-man Thomas Cromwell ordered the Valor Ecclesiasticus (a an assessment of the income and assets of each monastic house) and assessors were duly sent out to all parts of the kingdom.  All of those worth less than £200.00 were immediately suppressed, which included all the Welsh houses.  The remaining monks and nuns were dispersed, willingly or unwillingly.  They were often granted reasonably generous pensions if they left without a fight.  Abbot Nicholas Pennant, the last abbot of Basingwerk, clearly gave no trouble to the administrators because he left with a pension.  Monastic properties were sold, gifted or broken up and otherwise disposed of by Henry’s administrators.

All that remains of the monastic church at Basingwerk

All that remains of the monastic church at Basingwerk today

The impact on St Winefride’s Well was felt both immediately and incrementally thereafter.  With the loss of the abbey, the shrine no longer had monastic support and oversight.  Whatever funding, maintenance and care the shrine received were withdrawn.  The shrine would now be the responsibility of the church and the village.  Pilgrims were deprived of monastic hospitality.  With no monastic guidance to the shrine when they arrived, a lot of the ceremony and sense of a special occasion were removed, perhaps making a pilgrimage less attractive and rewarding.  Certainly the oblations (pilgrim donations) began to decline significantly.  At the same time, political and religious instability may well have deterred pilgrims.  The loss of the monks as managers of the abbey’s landholdings and industrial properties may not have been felt immediately, but whatever processes were in place may have required a new approach to estate management by those actually working the land and this may have had an impact on the local economy, particularly Holywell itself, undermining the economic stability and prosperity of the village at least for some time afterwards.
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After Henry VIII

The Devil selling Indulgences. Jenksy Kodex, c.1500. Source: Wikipedia

Splendidly evocative depiction of the Devil selling Indulgences, from a Czech illuminated manuscript called the Jenksy Kodex, c.1500. Source: Wikipedia

Quite what Henry VIII planned for the future of the new Church of England is not clear. He probably had very little strategic idea himself, but it is certain that the Archbishop of Canterbury, Thomas Cranmer (1489-1556), an advisor to Henry, had plans, which included maximizing his influence has the clerical head of the Church of England. One of Henry VIII’s particular obsessions was the destruction of all traces of the veneration of St Thomas Becket.  For Henry VIII, Archbishop of Canterbury Thomas Becket (1119/20-1556) had been the ultimate Church challenge to “royal supremacy” in which the king rather than the Church held ultimate authority.  Becket was murdered over the question.  The horror with which Becket’s murder was received forced King Henry II to back down and make the peace with a powerful clergy who were backed by the papacy and who had ultimately won the day.  In Henry’s similar battle with church supremacy, with the Pope refusing to condone the annulment of his marriage to Katherine of Aragon, Becket was the embodiment of Church interference with royal right to rule without challenge.  There are only a few representations of Becket today in churches.

After Henry VIII died, Archbishop Cranmer had great influence over Henry’s young son, Edward VI (reigned 1547-1553) during Edward’s six-year reign.  The result was a Tudor clamp-down on Papism, its rules and its traditions, including indulgences, the veneration of saints, and the worship of icons, a policy that went through phases of persecution and lapses of energy.  Edward was not pulling his punches, as this excerpt from Edward VI’s Royal Injunctions of 1547, demonstrates, commanding

. . . that they shall take away, utterly extinct and destroy all shrines, covering of shrines, all tables, trundles or rolls of wax, pictures, paintings and all other monuments of feigned miracles, pilgrimages, idolatry and superstition, so that there remain no memory of the same in walls, glasses, windows or elsewhere within their churches or houses.  And they shall exhort all their parishioners to do the like within their several houses. [See University of Michigan in Sources]

The instruction to erase all reminders of the recent religion, focusing specifically on objects, is an impressive measure of Edward VI’s understanding of the power of objects and how they mediate people’s ideologies, beliefs and sense of both security and identity.  The enormous destruction of objects and art during the Reformation was a strategy to systematically erase the tangible links between people and their beliefs, suppressing in every sense the way in which people understood, expressed and experienced their sense of the connection between the physical and spiritual world in which they lived and which defined their existence.  The result was often exactly what Edward VI would have wanted.  It is astonishing that St Winefride’s chapels were able to escape.

St Winefride's Well with Holywell in the background

St Winefride’s Well with Holywell in the background, 18th century. Watercolour by John Ingleby. Source: People’s Collection Wales

After the Dissolution the well began to become the focus of Catholic (specifically Jesuit) sedition.  In Holywell, Basingwerk Abby had now been stripped of its roof lead, always the beginning of ruin, and although part of it is thought to have been occupied as a house for a while, it was ultimately abandoned.  However, the well and the accompanying church continued to be an illicit focus of Catholic devotion, and St Winefride’s chapel continued to be maintained and visited, often at enormous risk to both residents and visitors, sometimes resulting in imprisonment or execution.  Perhaps directly linked to this illicit expression of devotion, and a way of bonding with the shrine, are many, many carved pieces of graffiti, mostly alphabetic, some dates and a few unexplained pictograms.  That’s all another story, and a really interesting one for another day, but it is really quite remarkable that the shrine survived centuries of religious intolerance to eventually experience a revival of pilgrim and tourist attention in 18th and 19th centuries, at which time the buildings underwent restoration.

Lead repair of stonework along the side of the well

 

Final Comments

Ceiling boss in the lower chapel

Ceiling boss in the lower chapel

St Winefrede, a 7th century saint, is one of the best known saints in Wales.  The miracle-working shrine with its gushing natural spring became so popular and important throughout the medieval period that in the late 15th or early 16th century it was provided with a brand new pair of chapels, upper and lower, that provided a building of late gothic splendour to frame the well and provide spaces for experiencing the spring and for worshipping in a church-like environment.  It welcomed pilgrims, was an asset to its owners and contributed to the economy of Holywell itself.

The site was awarded the status of a National Shrine in 2023.  It continues to be a significant draw for both pilgrims and tourists, and makes for a very attractive day out when combined with both Basingwerk Abbey and the industrial heritage park, continuing to make its presence felt.

Visiting

With parking nearby, a visit to St Winefride’s Well can take no longer than an hour or so to visit, but it can be combined with the Greenfield Valley Heritage Park to make a full day out, particularly when the small town at the top of the hill is included in the trip.

On the map of Greenfield Valley to the right, the Holywell spring and chapel are at the very top (the car park is just down the hill at the What3Words address ///scanning.smarting.brisk or a lay-by just up the hill at W3W ///fidgeting.grain.nail). Alternative parking is at Basingwerk Abbey at the very bottom of the park, bigger than that for the chapel, at W3W ///assess.origin.flicks). There is also plenty of parking in the town at the top of the hill.

The other sites on the map shown here are described on the post about Greenfield Valley’s industrial heritage.  The church of St James has been closed on the three occasions when I have visited, but it lies behind the chapel, just uphill from it.  There is a cafe next to the abbey, on the bottom right of the map, but check the website listed below, because at the time of writing it is under refurbishment.

The Visitor Centre, ticket office and souvenir shop are on the left as you enter the grounds, and it is from here that you collect the key for the upstairs chapel as well (they ask that you leave your keys as a deposit).  The Visitor Centre is a single large room, with some excellent interpretation boards and some original objects on display (note that there is a sign saying that it is not permitted to take photographs in the Visitor Centre).

The spring and the fan-vaulted well chapel are on the same level as the Visitor Centre via a door to the left of the ticket office. The overhead chapel, which sits over the top of the well chapel, is a little way uphill, on the footpath along the road.  To reach it you need to go back out of the Visitor Centre and turn left up the road.  Turn left again along the path that leads from the road to the church. The door faces uphill.

There is a free leaflet with a map, which you can collect from the ticket office.  I have scanned it and posted it here for download as a PDF, but note that the leaflet was longer than A4, so I’ve split it up and arranged it in portrait rather than landscape to fit it on two pages.  My version is not a thing of beauty, so it would be much better to pick up the leaflet when you visit!

I strongly recommend that if you don’t have a telephoto lens or very good zoom function on your phone, you take binoculars so that you can get a much better view of the carvings on the ceilings in the lower shrine and on corbel tops in the upper chapel.  A powerful torch would certainly help too, particularly in the upper chapel.

Finally, do note that this is still a place of pilgrimage and prayer, and you may run into people having a quiet moment in front of the statue of Winefride within the lower chapel, or even having a dip in the outer pool.  A lady did so when I was last there on a freezing cold day, and after drying off she went pray in front of the statue just inside the entrance of the lower chapel.  I carried on with what I was doing, but gave her space.
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Sources

Books and Papers

Joseph Mallord William Turner, Holywell: The Interior of the Cloisters, St Winifred's Well 1799


Joseph Mallord William Turner, Holywell: The Interior of the Cloisters, St Winifred’s Well 1799. Source: The Tate

Baker, Nigel 1998. Shrewsbury Abbey. A Medieval Monastery. Shropshire Books.

Barraclough, Geoffrey 1988. The Charters of the Anglo-Normal Earls of Chester c.1071-1237.  The Record Society of Lancashire and Cheshire, vol. CXXVI

Bartlett, Robert 2013. Why Can the Dead Do Such Great Things?  Saints and Worshippers from the Martyrs to the Reformation.  Princeton University Press.

Burne, R.V.H. 1962. The Monks of Chester. The History of St Werburgh’s Abbey. SPCK

David, Christopher 1969, 2002 (2nd edition). St Winefride’s Well.  A History and Guide

Farmer, David 2011 (5th edition). The Oxford Dictionary of Saints. Oxford University Press

Given-Wilson, C. (ed.) 1977.  The Chronicle of Adam Usk 1377-1421. Clarendon Press
https://archive.org/details/chronicleofadamu0000adam/page/n5/mode/2up

Garland, Lisa M. 2005.  Aspects of Welsh Saints’ Cults and Pilgrimage c.1066-1532. Unpublished PhD, King’s College London
https://kclpure.kcl.ac.uk/ws/files/2935809/420753.pdf

Gray, Madeleine 2007.  Welsh Saints in Westminster Abbey.  Transactions of the Honourable Society of Cymmrodorion 2006, New Series, 13 (2007), p.5-30
https://www.cymmrodorion.org/wp-content/uploads/2017/07/2_Welsh-Saints-in-Westminster-Abbey.pdf

Hubbard, Edward 1986. The Buildings of Wales: Clwyd (Denbighshire and Flintshire). Penguin

Pritchard, T.W. 2009. St Winefride, Her Holy Well and the Jesuit Mission, c.650-1930. Bridge Books

Tait, James 1920. The Chartulary or Register of the Abbey of St Werburgh. Chartulary of Chester, part 1. Chetham Society

Turner, Rick 2019. The Architecture, Patronage and Date of St Winefride’s Well, Holywell. Archaeologia Cambrensis 168, p.245-275
https://archaeologydataservice.ac.uk/archiveDS/archiveDownload?t=arch-3493-1/dissemination/168-2019/10-Arch_Camb_168_Turner_245-275.pdf

Webb, Diana 2000. Pilgrimage in Medieval England.  Hambledon and London

Williams, David H. 2001. The Welsh Cistercians. Gracewing


Websites

Based In Churton
Basingwerk Abbey
https://wp.me/pcZwQK-2Ju
Greenfield Valley (industrial heritage)
https://wp.me/pcZwQK-3eL
St Werburgh’s Abbey (multiple posts)
https://basedinchurton.co.uk/category/chester-cathedral/
A roof boss of Thomas Becket in the Abbey of St Werbergh (Chester Cathedral)

https://basedinchurton.co.uk/2023/07/14/a-ceiling-boss-in-chester-cathedral-the-murder-of-thomas-becket/

Early Tourists in Wales
Holywell and St Winifred’s well
https://sublimewales.wordpress.com/attractions/2231-2/

Essex Record Office
Salvation for sale
https://www.essexrecordofficeblog.co.uk/document-of-the-month-august-2017-salvation-for-sale/

Greenfield Valley Heritage Park
https://greenfieldvalley.com/

Greenfield Valley Café
At time of writing closed for refurbishment – check link below
https://greenfieldvalley.com/visit/greenfield-valley-cafe/

Heneb
Holywell
https://heneb.org.uk/archive/cpat/ycom/flints/holywell.pdf

Landmark Trust
St Winifred’s Well (Woolston)
https://cms.landmarktrust.org.uk/globalassets/3.-images-and-documents-to-keep/history-albums/st-winifreds-well-2025.pdf

Shrewsbury Orthodox Church
Saint Winefride (Gwenffrewi) (with a photograph of the St Winefrede chapel and spring at Woolston)
https://shrewsburyorthodox.com/local-saints/saint-winefride-gwenffrewi/

streetsofsalem
Monarchs and Monkeys
https://streetsofsalem.com/2014/03/26/monarchs-and-monkeys/

St Winefride’s Shrine and Visitor Centre
https://www.stwinefridesshrine.org/blank-1

University of Michigan – Digital collections
A collection of articles injunctions, canons, orders, ordinances, and constitutions ecclesiastical: with other publick records of the Church of England; chiefly in the times of K. Edward. VIth. Q. Elizabeth. and K. James. Published to vindicate the Church of England and to promote uniformity and peace in the same. And humbly presented to the Convocation.
https://quod.lib.umich.edu/e/eebo2/A79649.0001.001/1:7?rgn=div1;view=fulltext

 

Statue outside the shrine

Statue of St Winefride outside the shrine

 


 

St Chad’s Church, Farndon, originally medieval but largely rebuilt in 1658 due to war damage

Not for the first time I am writing about somewhere that I really ought to have talked about a long time ago because it is so near to me, in this case the Grade II* listed St Chad’s Church just down the road in Farndon. It is a lovely church, with a rather unexpected history, surrounded by a churchyard and enclosed by an irregularly shaped curving wall.  Apart from the tower, there is very little of the medieval church remaining, having been almost completely rebuilt in 1658 following the damage inflicted during the Civil War, but it followed a broadly gothic template and is charming in its own right with a number of nice features, some influenced by the gothic, and others departing in interesting directions.  It is particularly well known for the Civil War window installed by William Barnston.

St Chad's Farndon

St Chad’s Farndon

The congregation traditionally included those who were on the English side of the river, with burials from Churton-by-Farndon and Churton-by-Aldford, Crewe-by-Farndon, Barton, Leche, and Caldecott, and other nearby villages and farms.  After 1866 residents of Churton-by-Aldford were often buried in at the Church of St John in Aldford.

During the summer I posted an account of St Chad’s Church in Holt, opposite Farndon on the other side of the river Dee, with its medieval links to Holt Castle and the Lordship of Bromfield and Yale.  It is larger and more elaborate than St Chad’s in Farndon, and the two churches each has its own distinctive character with a lot to offer the visitor.  Both churches were involved in the Civil War, due to the importance of the crossing here, and both bear musket ball damage as a result, but Farndon’s St Chad’s came off much worse than St Chad’s in Holt.
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Saint Chad, 1st Bishop of Lichfield

Early Medieval Mercia

Early Medieval Mercia. Source: medievalists.net

According to Bede (writing in the 8th century) St Chad was one of four brothers who entered the church in the 7th century, and started his training at Lindisfarne Monastery under St Aiden.  He was ordained in Ireland and became a leading light in the Anglo-Saxon church, rising through the ecclesiastical ranks on the kingdoms of Northumbria and Mercia and under King Wulfhere, one of the earliest Christian kings. He was appointed Bishop of Northumbria, including York, and became the first Bishop of Lichfield in the new diocese of Lichfield, at the heart of Mercia. Mercia was one of seven British kingdoms of 7th century Britain and occupied most of central England. Chad died in AD c.672 and was buried in Lichfield Monastery, now Lichfield Cathedral.  Regarded as a pioneer who helped to spread Christian teaching in and beyond Mercia, he became a popular icon during the Middle Ages in the Midlands and its borders.
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The Medieval Church

It is remarkable to think that the Civil War obliterated so much of the medieval church in 1643 that most of it had to be rebuilt in the 17th century.  The Domesday book records a village priest, as well as two other priests locally, strongly suggesting the presence here of an earlier church, probably wood-built.

Today’s church has a nave and tower that are thought to have followed the original medieval footprint dating to the14th century building.  All that obviously remains of the 14th century is the tower, of which three storeys date to around 1343.  Everything else appended to this basic structure on north, east and south sides are later in date.  Although you enter the church through an 18th century yellow sandstone porch, the thick wooden door itself is actually medieval, a quite astonishing survival.

Lines of the old roof of St Chad's in Farndon marked in white

Lines of the old roof of St Chad’s in Farndon marked on this photograph in white.

Inside, looking towards the tower from the nave, you can see the converging lines at which the old church roof met the tower, considerably lower down than the current roof, and terminating further down than the current arch.  This suggests that the medieval church was both shorter and darker.  Within the tower there are three chambers with one each for bell-ringers, another for the clock-works and the belfry itself, containing the bells, originally three, at the top.

In the north aisle in the interior of the church is a 14th century funerary effigy showing a knight in armour holding a shield carved with a Latin inscription reading “Here lies Patrick of Barton. Pray for Him.”  Sir Patrick holds a sword in his other hand, and has some form of animal at his feet, now too badly worn to be identified with any certainty.  This effigy is one of three that was found, but the other two were ground down to make white sand.  Although Sir Patrick survived this particular indignity, he was used as a step into the belfry in in the 1900s, which accounts for the wear and tear to his face and the animal.  Latham says that one of the other effigies was inscribed with the word “Madocusdaur” and a third was inscribed with a wolf.

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John Speed, Tailor and Mapmaker

John Speed's 1610 Map of Cheshire

John Speed’s 1610 map of Cheshire. Source: Wikimedia Commons

John speed was the Farndon tailor’s son and was baptised in St Chad’s in 1552.  There’s a good biography of him on the New World Cartographic website explaining how Speed followed his father into tailoring at a time when fashion was of growing importance, doing very well in the business, whilst at the same time pursuing his interests in history, geography, cartography, antiquities and genealogies.  It was not until he moved to London that he gained a patron and was able to abandon tailoring and launch a new career.  His map of the County of the Palatine of Chester was completed in 1610-11, and was used by both sides during the Civil War.  He died in 1629 and is buried in London.
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The Civil War

Musket ball and cannon ball marks in the walls of the medieval tower.

The tower in Farndon’s church shows musket-ball and cannon shot damage to the exterior, to the right of the main porch, but the fact that the rest of the church had to be rebuilt in 1658 makes it clear that it experienced a much worse time of it than its counterpart in Holt.  In 1643 the commander of the Cheshire and Lancashire Parliamentarian troops used Farndon and its church as a headquarters and barracks, assembling a force of around 2000 to force their way across the bridge, through Royalist defences. The subsequent fighting entered the churchyards at both Holt and Farndon.  During the fighting in Farndon churchyard the roof was somehow set alight.  In spite of the damage to the roof, the Parliamentarians reoccupied the church until they were ousted in winter 1645.
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The 17th Century Rebuild

Apart from the tower at the west end, the current red sandstone church with its slate-tiled roof is largely the result of the post-Civil War rebuild in 1658, presumably re-using some of the original medieval stonework.  The main body of the church consists of a nave with clerestories (a run of windows above the nave below roof level to allow in light) and two aisles, terminating in the chancel at the east end. The 5-bay arcade separating the nave from the aisles consists of round piers (columns) with simple capitals and pointed arches.  Over 40 different mason marks are dotted throughout the church, each one identifying a separate mason, giving a hint of the scale of the workforce required to rebuild St Chad’s.  There used to be a musician’s gallery at the tower end, but this was removed in the 19th century.

Mason’s mark on the arch between the nave and the tower

 

The nave, looking towards the chancel, of the 1658 nave

The nave of the 1658 nave, arcade and overhead clerestory. The entrance to the Barnston chapel is shown at lower far right.

The new church was taller than the old one, with the clerestory and the large Gothic-style lancet windows letting in much more light.  The  tower was provided with a new top section at this time.

Adding to the footprint of the old church, the Barnston family, major landowners in the area, built a small chapel off the chancel end of the south aisle, for their private use and to bury and commemorate family members.  According to the church’s history booklet, there are records mentioning Barnstons in Churton during the reign of Henry VI in the 15th century.  In the 17th century William Barnston was a major contributor to the rebuild of the church, and requested that he be buried under a gravestone in the south aisle of the church that has already been placed ready.  His 1663 will left a substantial bequest to the church for its upkeep. He died in 1664.

The Civil War window, St Chad’s, Farndon

An adviser to Charles I at the Siege of Chester, William Barnston was responsible for the famous Civil War window in the chapel.  What surprises most people who see it for the first time is how small it is, but it is full of details that show Royalist participants, including Barnston himself, and a variety of items of contemporary clothing and equipment used in the Siege of Chester. Pevsner and Hubbard say that the technique is “decidedly Dutch” and Latham adds that “Its artist took his design for the armour from a military work by Thomas Cookson (1591-1636) and for the bottom border from prints by Abraham Bosse (1632).”  My photo, left, is very poor due to the lack of light, but have a look at the Visit Stained Glass website for a much better image and a close-up of the depiction of William Barnston.

There are many features of interest to look out for in the 17th century church.  In the south aisle there is a rather fine sculpted wooden beam support.  The church’s booklet questions whether it is a human or an animal but it looks very like the lions with curly manes that are familiar from Tudor and Jacobean carvings.  It is surprising that it is on its own.  The damaged medieval font was repaired by Samuel Woolley of Churton but the current octagonal font is thought to date to 1662, replacing the repaired one.
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18th, 19th and early 20th century alterations

Georgian style porch, St Chad’s

According to Frank Latham, by 1735 “St. Chad was surrounded by green fields and the houses were few and far between,” and the Massie family seems to have been important to the congregation at this time, with six pews allocated to Richard Massie Esq., and his family.  He adds that the east wall was demolished in the 18th century and shifted 10ft (c.3m) further to the east, providing a much larger chancel.  Towards the end of the century repairs to the roof were made between 1793 and 1798.  Today the red sandstone church is entered via a Georgian-style porch built in yellow sandstone, although I have seen no mention of a precise date for this, and inside there is a large 18th century oak chest that housed the church plate and the parish records.

Memorial to Francis Fletcher 1782

The eastern end of the church was remodelled to include today’s chancel in 1853, not by the Barnstons this time but by the Marquess of Westminster.  The carved reredos behind the altar shows the Last Supper and was installed in 1910, with the carvings on the pulpit were added in 1911, showing St Chad accompanied by the usual pulpit team of Saints Matthew, Mark, Luke and John, represented by their emblems.  In 1927 the original three bells were joined by another five.  The church booklet says that they were rung to mark nationally important occasions, including the defeat of Napoleon in Egypt in 1799, and his defeat at Trafalgar in 1805.

Of the various memorials, one that may be of interest to those familiar with the Barnston obelisk just outside Farndon, is the marble memorial to the Major Roger Barnston (died 1847) in the Barnston chapel.  The obelisk in the field on Churton Road, now a natural burial ground, is also a memorial to Major Barnston (died 1847) discussed on the blog here,

The north aisle, like nearly all churches in this area, used to have a clear run to the end of the nave, but the presence of an organ since the 19th century regrettably meant that a gallery just in front of the tower’s arch, where musicians located, became redundant and was removed.  The present organ dates to 1949.

St Werburgh and St Chad stained glass in the chancel

St Werburgh and St Chad stained glass in the chancel

The windows are often round-topped, set within rectangular frames that give the exterior an unusual appearance.  Exceptions are the large east window behind the altar, installed in 1858 and showing the Sermon on the Mount, installed in memory of church benefactors William and Anne Plumpton, and the south window in the Barnston chapel, both gothic-style.

Most of the stained glass is interesting for the contrasting styles.  Following the Trena Cox: Relections 100 exhibition in Chester last year I have become quite interested in 19th century stained glass.  On the north side of the chancel, to the left as you face the altar, is a window showing St Chad and St Werburgh (to whom Chester Cathedral was dedicated when it was a Benedictine monastery), by Trena Cox.  A look at Aleta Doran’s website devoted to Trena Cox confirmed that this was one of hers, from the 1950s (1953 to be exact).  Those windows immediately opposite are similar in style but were clearly crafted by a different artist and show St David (patron saint of Wales) and St Cecilia.  Most of the other stained glass was added in the 19th century, with many of the larger window openings being decorated with romantic takes on the gothic, whilst smaller ones are more minimalist.  It was a little sad not to be able to learn something about the makers of the glass either at the church or after a hunt through my books and around the Internet.

Window dedicated to the memory of Harry Barnston installed by his sisters after he died in 1929

Window dedicated to the memory of Harry Barnston installed by his sisters after he died in 1929, in somewhat Pre-Raphaelite style

Stained glass in the Barnston chapel, emulating gothic tracery and themes

At the rear (south side) of the building you can see a substantial addition at the west end (near the tower) and I assume that this was a 20th or 21st century add-on, presumably acting as a vestry and storage.
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The Churchyard

The churchyard includes a mixture of different types of grave, including chest, table and ledger tombs and vertical headstones, some accompanied by kerbs, mainly of good quality yellow sandstone.  A particularly fine example is a Grade II listed double-chest grave made of yellow sandstone and dating to the early 18th century :

West ends of tombs have recessed round-headed panels; that to north contains an hourglass, that to south a skull and crossbones above an inscription Mors S… Omnium [i.e. Mors Sola Omnia,” meaning Death Conquers All]. North side of north tomb has a square central panel containing an encircled quatrefoil in a lozenge with a vertical panel right and a decayed panel left. The east end of each tomb has a fielded panel; south side of south tomb has 3 fielded panels in bolection moulded borders (Historic England – list entry number 1228746)

It was sobering to notice just how many of the chest grave inscriptions commemorate infants and children.  I always spend an hour or so reading grave inscriptions and don’t remember seeing so many very young children commemorated, often from the same family in the same generation.   As you would expect, the earlier graves  are nearest to the church, although unusually many of these are on the north side, which is normally the last to be filled.

Red sandstone gravestone covered in yew berries

 

Moving away from the immediate area surrounding church building, to its south, the traditional upright gravestones of the later 19th century begin to dominate, with many examples of 19th century funerary symbolism on the headstones.  Although many of the headstones are lancet-shaped and much of a muchness in terms of size, there was clearly a lot of choice available in terms of the symbolic motifs that decorated the tops of the graves.

Art deco style headstone

Art deco style headstone

Through a small gate beyond the headstones, the churchyard has been extended for modern use.  The 1922 War Memorial in the form of a stone cross commemorates eighteen men killed in the First World War and four in the Second World War.
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Final Comments

This medieval church, almost completely rebuilt in the 17th century, has a character of its own, reflecting various periods of restoration and intended improvement, with a strong gothic influence throughout.  There are many more features than those described above, including benefaction boards, a list of incumbents, and memorials, and the church booklet produced by Cheshire County Council in 1989 is a good guide.

The church website contains no information about visiting, and the Facebook page hasn’t been updated since 2019, but at the moment the church has an open door policy.  On my two recent visits (October 2025) I was able to walk in.  There is a contact page on the site, so if you are coming from any distance it might be worth double-checking.

It is splendid to have two really impressive churches, one either side of the river connected by a splendid 14th century bridge, with very different personalities and features, and both very well cared for and open to visit.

 

Sources:

Books and papers

Cheshire County Council 1989. The Parish church of St Chad, Farndon. (10-page booklet available for purchase at the church)

Latham, Frank 1981. Farndon. Local History Group

Pevsner, Nikolaus and Edward Hubbard 1971. The Buildings of England: Cheshire. Penguin Books

Websites

Based In Churton
Medieval ambition and Civil War musket ball holes at the Church of St Chad’s in Holt (Grade 1 listed)
https://basedinchurton.co.uk/2025/05/31/medieval-ambition-and-musket-ball-holes-at-the-church-of-st-chads-in-holt-grade-1-listed/
Exhibition in Chester Cathedral: “Trena Cox: Reflections 100”
https://basedinchurton.co.uk/2024/10/19/exhibition-in-chester-cathedral-trena-cox-reflections-100/

Historic England
Pair of Adjacent Table Tombs in Churchyard
https://historicengland.org.uk/listing/the-list/list-entry/1228746?section=official-list-entry

New World Cartographic
Map Maker Biography: John Speed (1552 – 1629)
https://nwcartographic.com/blogs/essays-articles/map-maker-biography-john-speed-1542-1629

St Chad’s Farndon
https://www.stchadschurchfarndon.org.uk/index.php

The Trena Cox Project
https://www.aletadoran.co.uk/

Visit Stained Glass
St Chad’s Farndon (just the Civil War window)
https://www.visitstainedglass.uk/location/church-of-st-chad-farndon-cheshire

 

Ancient Churchyards of Cheshire – St Chad’s Church Farndon
Tvpresenter4history (James Balme)

A very beautiful autumnal sunshine walk along the Wirral estuary from Burton to Parkgate

Bird of prey, Burton, Wirral

Beautiful feathers on a bird of prey at Burton, Wirral

Yesterday seemed, at first, to have been doomed from the start.  I was supposed to be driving to Aberdyfi in mid-Wales to do something specific, but 20 minutes from home, already running very late, realized that I had left two components essential to the task on the kitchen table.  Having returned home and collected the required items, I was leaving the house and went to take a quick snapshot in my garden of a squirrel running upside down along a power line and rapidly closing on an oblivious turtle dove, and found to my dismay that the camera couldn’t read the SD card. Nooooooo!  I knew I had a spare somewhere, but where?  Ridiculous to go to Aberdyfi on a sunny blue-skied day like this without a camera.  After half an hour of fruitless searching I picked up the phone and cancelled my visit.  Twenty minutes later I had found the wretched thing.  Instead of the planned expedition, I found myself grabbing the camera and car keys before heading up the Wirral to Burton to park up along the estuary and go for a very fine walk along part of the Wirral section of the King Charles III England Coast Path.  I hadn’t even got out of the car when I saw the above bird of prey, which politely held position whilst I scrambled out of the car.  A perfect way to turn around a very unpromising start to the day.

I have made a short visit to the estuary cycle track and walk in the past, simply to get a good look at the purported Iron Age promontory fort on Burton Point, but although it was enjoyable, it was a short stroll because the skies opened and I got drenched.  Today, with no risk of rain, I decided to walk from Burton towards Parkgate, which I guessed to be about an hour’s walk each way.  When I reached the “You are Here” board (with which the walk is dotted at key points) at Moorside, alongside Parkgate Spring and on the very edge of Parkgate, this was a full hour.

Parking is easy along the section of Station Road that lies along the estuary for the Burton to Moorside (near Parkgate) section of the "King Charles III England Coast Path"

Parking is easy along the section of Station Road that lies along the estuary for the Burton to Moorside (near Parkgate) section of the “King Charles III England Coast Path” (What3Words: ///glows.lung.headsets). Source: Google Maps

Parking for this particular walk is along the section of Station Road that runs along the side of the estuary, indicated by the red circle on the map.

The walk itself begins along the section of Denhall Lane that turns along the side of the estuary and passes a café, as indicated by the black arrow on the map.  Although vehicles are permitted as far as the café (just beyond the left edge of the map), they are banned beyond this point.

This first stretch of metalled lane is dominated by dog walkers and cyclists. Do keep an ear open for the cyclists as they can pick up a lot of speed along the lane and don’t always give a lot of notice of their impending arrival.  The path goes through various changes.  After some time it parts from the lane and becomes much more of a footpath with rough stone underfoot, which probably accounts for why the cyclists vanish from the scene at this point.  At one stage it becomes a track across a field, although there is a route around this in wet weather that diverts inland for a while.  The entire walk is well maintained with pedestrian gates and bridges where needed.  One field had horses in it, so do take care if you are walking dogs.

Scenically, the walk is always split between two different experiences to left and right.  The views across both wetlands and former wetlands to the Welsh foothills to the southwest are lovely on a sunny day, and you can keep an eye open for bird life.  On the other side of the path, immediately hugging its edges, there is an almost uninterrupted run of very fine hedgerows and trees.  At this time of year there is not a great deal to see on the estuary, although I was delighted to see lovely white egrets in a distant blue pool, as well as a couple of birds of prey hovering splendidly overhead. Most of the flowers in the estuary have gone over, but the autumnal leaves, berries, rose-hips and other fruits of the shrubs and hedges and the multiple colours of the changing leaves on trees along the paths were endless and superb, really gorgeous against a blue sky with the sun shining on them.

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Nearing Neston I spotted a line of vast red sandstone blocks extending out into the estuary vegetation, and a small spur of land also extends out at this point.  An information board explains that this is part of the Neston Colliery, Denhall Quay.  There is a particularly good book about the collieries, The Neston Collieries, 1759–1855: An Industrial Revolution in Rural Cheshire (Anthony Annakin-Smith, second edition), published by the University of Chester, which I read and enjoyed a few years ago.  The sandstone blocks are massive, and as well as retaining original metalwork, one of them has become a memorial stone, as has one of the trees on the small spur of land.  The line of sandstone, now a piece of industrial archaeology, is a very small hint of the extensive work that once took place here, but is an important one.  The author of the above-mentioned book refers to it in a short online page here, from which the following is taken:

There are still some signs today of the old mining operations. Most prominent is Denhall Quay, the remains of which still jut out into the Dee Estuary. This was built in 1791 and was used to ship coal to North Wales, Ireland and occasionally to foreign countries, as well as inland via newly-built canals.  Also, if you know where to look it is possible to trace the location of many of the shafts that were once in use, including one hidden behind a brick wall in Riverside Walk. Easier and arguably more rewarding to find is The Harp Inn! The building was standing in the mines’ earliest days and records show it was a public house for the miners no later than 1813 and probably much earlier. It has several photos on its walls from the mines’ later days.

 

This is the point that I turned around and walked back. The image immediately above the  map shows point where the Parkgate Spring emerges, very audible but  not actually visible.


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There are very few places to sit down along the walk, so I would recommend that if you need to rest your legs occasionally, you take your own portable seating.  Regarding refreshments, I have mentioned Net’s Café, near the Burton end.  I haven’t visited and apparently there’s no website, but it is just off Denhall Lane and it is listed on Trip Advisor here.  There is also a very good pub called The Harp, which I actually have visited, with outdoor tables immediately overlooking the wetlands towards the Welsh hills, just outside Little Neston.  The food being served there looked excellent, and I can give a solid thumbs-up for the cider.  The pub was particularly well situated for my return from Parkgate as the zoom lens on my camera, a particular beauty that has been worryingly on the twitch for weeks, suddenly stopped working and was now, just to ram home the overall message, rattling.  A glass of cider and a seat in the sun were perfect for jury-rigging the wretched thing so that the zoom now worked like an old-fashioned telescope and the camera’s autofocus, which was refusing point-blank to engage in conversation with the lens, could be operated manually on the lens itself.  Sigh.  New lens on order.

If you can do this walk in September when the berries are at their best, do take the opportunity, because it is stunning, particularly on a sunny day.  And all on the flat too, so entirely appropriate for unwilling legs.
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A revealing talk and guided tour: The Churchill Building and the Western Command 1937 – Today

The Churchill Building portico dates from 1997, but the original Neo-Georgian military Western Command building can be seen behind it.

The portico dates from 1997, but the original Neo-Georgian military Western Command building can be seen behind it.

With many thanks to Chantal Bradburn for an excellent lecture in the Churchill Building in the University of Chester’s Queen’s Campus.   Chantal is the University’s Outreach representative, with a strong background in art history and a particular interest in architecture in its social context.  Her talk, entitled “Western Command (Churchill Building),” covered the design and original purpose of the building as the headquarters of the Western Command, including the fascinating underground bunkers, and the building’s subsequent phases of use.  The presentation and the subsequent walk around the building’s exterior brought the Western Command to life.  Chantal’s ability to convey an impression of the building as it was in military times, based partly on her research and partly on feedback from people who have attended the talk or contacted her over the years, was of critical importance, because the interior had been completely re-envisioned in grandiose style by the subsequent bank, and converted once again in more pragmatic terms into the University of Chester’s Business School.  Only the exterior retains the essential character of the Western Command building.

The eastern wing of the Western Command (Churchill Building) gives a good impression of how the building appeared when it was first built

The eastern wing of the Western Command (Churchill Building) gives a good impression of how the building appeared when it was first built

The building, then known as Capital House, was completed in around 1938, almost certainly in response to the threat of war.  Neo-Georgian is not my favourite of the various architectural experiments in Chester.  I have grumbled on and off about the Wheeler Building on the blog for years, and there are a number of more modest buildings dotting the streets of the historic city whose architects seem to believe that slapping some symmetrical rectangular windows into plain blocks of undifferentiated brickwork will do the trick nicely, completely missing the point of refined elegance and delicate embellishments that characterized Georgian harmonies.  On the other hand, as Chantal pointed out, at least in the case of the Churchill Building there are good reasons for this style, which is better than most of its siblings, relating not merely to the practicalities of budget constraints for such a large building.

The eastern entrance to the Churchill Building with subtle nods to Art Deco 

The eastern entrance to the Churchill Building with subtle nods to Art Deco

The importance of establishing a dignified military presence referenced the power and prestige of the city’s Georgian predecessors, which were themselves influenced by Classical architecture, whilst some low-key features nod to both the medieval military past and, in an even more subtle way, other contemporary styles.  I would not have noticed these had Chantal not pointed them out.  Although the subsequent Northwest Securities bank slapped a gigantic Classical-style portico on the front, the original building consisted of flat-roofed blocks that provided an impressive frontage, which relies for its impact on the size of its footprint rather than the height of its two-storey walls.  Chantal pointed out that the position of the building was strategically very fine, with its views over the river and the city beyond, only matched in its vantage points by the site chosen for the castle.

As the northwest HQ for intelligence on what was quite literally Britain’s western front during the war, the personnel serving in the Western Command building had a critical role not only leading up to and during the war, but for a surprising amount of time after it.  Chantal told us a great many stories about the role of the building and the people who worked there, highlighting the complexities that different levels of security caused for both employees and contractors, and emphasizing the degree of secrecy that was associated with the activities that took place within the Churchill Building.

Bunkers excavated into the sandstone at the Churchill Building. Source: 28DaysLater

To the east of the building, up-river, the remarkable and extensive underground bunkers were built to provide shelter and a command centre should it become necessary, both during and after the Second World War.  They extend from the level of the building down towards the river.  It is reputed that Churchill, who is known to have visited the building, may have met there with President Dwight D. Eisenhower and General Charles de Gaulle.  No documentation supports this view, but there are apparently anecdotal accounts that support the possibility.  The bunkers are now too dangerous to visit (see a photograph of a point of collapse on the 28DaysLater website).  The sandstone through which former miners in the army excavated to create the bunkers is sponge-like, attracting damp that is not helping with the stability of the underground structures.  Chantal showed photographs and explained past survey work and future plans (dependent as always on funding).

The building passed to the Royal Army Pay Corps in 1972, and from 1972 it was taken over as offices for a banking corporation.  The presentation took place in a huge room with an enormous table, all very glossy and highly polished, and heavily influence by Art Deco designs.  This was part of the bank’s improbable legacy.  It is quite staggering how the bank took over a military building and turned it into an extrovert and financially corrosive expression of self-indulgent excess.  Where these details have survived, the legacy is huge fun, but quite mad.  The bank’s vast portico, converting the Neo-Georgian blocks into a pseudo Classical temple, is equally pretentious. I am very fond of the University, having had a great time doing some post-graduate research there a couple of years back, but it really does seem to have saddled itself with buildings that for all their scale and practicality are amongst the least aesthetically charming of the various Cestrian styles.  In their favour, the University does make the most of them.

The opening of the Churchill Building by John Spencer Churchill (centre in grey suit), when it became part of the University of Chester in October 2015. Source: Cheshire Live

It is interesting to note that in the case of both military base and commercial bank, the building was off-limits to the public, not only physically but visually.  The arrangement of buildings at the time meant that the view through the gates, then in a different position, blocked any view of the heart of the complex.  It has been particularly interesting for local people who have lived in the area for a number of decades to have access to the building at last, and to be able to see what was so long hidden from view, perhaps particularly when family members and friends worked there.

The building had been out of use for a decade when the University took it over in 2015 to make it the centre for their Business School, with most of the building adapted to this task with the usual collection of teaching, research and computer rooms, areas for socializing and a café.  Wisely, the decision was made to preserve some of the more elaborate flourishes of the bank’s idea of good taste, and there are some distinctly New York style decorative features in the foyer.  More to the point, the building’s foundation stone and its frame, appropriately made of carved stone rather than the less expensive brick, has been preserved and is now installed above the reception desk as a very welcome piece of the building’s material heritage.  The exterior, now sporting a leaded dormer roof, still retains the essence of its stern and uncompromising military purpose, but its survival first as a bank and then as a major component of a university campus is a testimony to its durability.

It is impossible to do justice to Chantal’s talk, which was stuffed full of information.  Chantal does these talks quite frequently, and I do recommend that you keep an eye open for her next ones, because she provides a vivid insight into a world that is not normally associated with Chester, and which was clearly a very important part of the city’s social and economic profile from the 1930s onwards.  More than any other talk that I have attended since moving to the area, this is the one that surprised me most, and left me with a new set of insights into Chester’s less publicized wartime and post-war history.  Splendid.

North-facing aspect of the Churchill Building

“Landscape of Neolithic Axes” – A hugely enjoyable afternoon of talks at Penmaenmawr

Introduction

"Landscape of Neolithic Axes" talks in Penmaenmawr on 16th August 2025. Jane Kenney, Becky Vickers and Alison SheridanWhat a thoroughly enjoyable afternoon on Saturday 16th August organized by the Landscape of Neolithic Axes project, part of the Carneddau Landscape Partnership.  The subject matter,  “Landscape of Neolithic Axes,” focused on the production, distribution and role of axeheads made on stone sourced above Llanfairfechan and Penmaenmawr.  These shaped and polished axeheads were distributed to locations all over Britain.

Penmaenmawr, which hosted the event, is a lively little village perched above the north Wales coast, with fabulous views out to the sea, which was particularly jewel-like on the sunny day of our visit.  The sense of seascape and landscape merging almost seamlessly into one another, only faintly interrupted by the line of the village, was remarkable.  Brown signposts to “Druid’s Circle” (Cefn Coch prehistoric stone circle) and the immediacy of the rocky hills just above were incredibly tempting, but we were headed for the Community Hall that was hosting a series of public lectures.

It was a very well attended event.  The same three talks took place first in the morning starting at 10am, and then again in the afternoon at 2pm.  That was extremely generous as it gave those of us coming from further away the chance to leave home at a reasonable time, and the afternoon talks sounded just as fresh as if they were being delivered for the first time.

Key sites in the area of Neolithic axe production around Penmaenmawr and Llainfairfechan

A map of the area, showing all the key sites. From the temporary exhibition at Penmaenmawr Museum (click to enlarge)

Although outside visitors were invited to attend, the event was clearly organized, at least in part, in recognition of the volunteers and the community for all their support.  Many of the attendees had been volunteers on the extensive survey and excavation work that took place not only on Graig Lwyd itself but on nearby outcrops formed of the same intrusive rock.  The talks were designed to be fully accessible to all levels of familiarity with the subject, and were based not only on the latest local research, which has been conducted to the highest standards, but also on the most up to date academic findings in the rest of Britain and in Europe.  It was a genuinely impressive and thoroughly riveting trio of talks.

Apologies for the quality of the photos that I took on my smartphone at the exhibition, and which are dotted throughout this post – I have been unable to improve them much, in spite of tinkering in Photoshop.

A quick note on Neolithic axeheads

Polished Graig Lwyd Neolithic axehead

Polished Graig Lwyd Neolithic axehead. Photograph and copyright David Longley. Source: Carneddau Partnership

Just a quick note on the manufacture of axeheads for anyone reading this who is unfamiliar with the subject.  The Neolithic spans the time period from around 6000-4500BC and in part of this period axeheads made of particular types of stone, found only in certain geographic areas, became an important type of commodity, traded throughout Britain.  The stone axes made from the outcrops at Penmaenmawr and Llanfairfechan, a stone valued both for its durability and workability has been found all over Britain.  The working of the stone and the networks that distributed them were complex, not only logistically but in terms of inter-community co-operation and the development of relationships.  Axeheads, hafted on to wooden handles, were highly valued items, presumably not merely because of their value as utility tools, but as prestige items that were often difficult to obtain.  This idea is reinforced by finds of axeheads that were never used, and by the fact that some were apparently deliberately broken to take them out of circulation.

Digitized image of a drawing of Graig Lwyd axeheads as published in RCAHMW Caernarvonshire Inventory Volume I : East, Figure 10, 1956. Source: RCAHMW

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The talks

"Landscape of Neolithic Axes" talks in Penmaenmawr, Carneddau PartnershipThere is, of course, no possibility of doing justice to the talks, and I have not tried to capture everything that was covered.  I hope that I have managed to capture just a little flavour of some aspects of the research discussed by the three speakers in the very short sketches below.   Thanks very much to the the three presenters who provided such a good summary of their work, the directions that their research is taking and how it all relates to the Penmaenmawr area.
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Jane Kenney (Landscape of Neolithic Axes Project and Heneb)
About “The Landscape of Neolithic Axes Project”

Graig Lwyd area roughouts

Roughouts (part-completed axeheads) from the Graig Lwyd area. Photographed in the temporary exhibition at the Penmaenmawr Museum

Dr Kenney, who has been running the project, explained that this is the 6th and final year of the project that is part of the part of the Carneddau Landscape Partnership Scheme, the overarching objectives of which are to protect and conserve natural and cultural heritage, engaging local people and visitors with that heritage.

The project covers the important period 4000-2500BC that sees the arrival of the earliest farmers, pottery and new funerary monuments, who began to move into the territories of Mesolithic groups who hunted, collected plant foods and fished.  Polished stone axe-heads were part of the new material assemblage that was required by these innovators.  Although wooden handles rarely survive, it is clear from the few that do that axe and adze heads were intended to be hafted.  The example on the poster at the top of the page, and also shown further down the page, is from Cumbria and is now at the British Museum. There were a number of places from which suitable stones were sourced and worked, and Graig Lwyd behind Penmaenmawr was one of these.  The wide distribution of axe heads throughout Britain and Ireland reflects not only the functional value of this type of tool, but their social significance too.

William Hazzledine Warren, who first discovered the Graig Lwyd site in 1821. Source: Peoples Collection Wales

Graig Lywyd was first discovered by Samuel Hazzledine Warren, who was both geologist and prehistorian, in 1919.  He found literally tons of worked material at the outcrop known as Graig Lwyd, made on an igneous microdiorite called augite granophyre, a type of rock formed of liquid magma intrusions that has the combined virtues of being hard enough to use for chopping wood, but also has a structure suitable for knapping into the required shapes.  He published his findings, starting over two centuries of archaeological research in the area.

Stone sources from around Penmaenmawr. From the temporary exhibition at the Penmaenmawr Museum. Click to enlarge.

The whole of Penmaenmawr is made out of this, with the rock around the exposed edges of Graig Lwyd and nearby outcrops, Dinas and Garreg Fawr, being the most suitable, precisely because they were so exposed, and after repeated freezing and thawing developed fractures that become scree that can be easily exploited.  Graig Lwyd, Dinas and Garreg Fawr became a very important source with examples distributed all the across England and Wales with at least one present in Scotland too.  Warren’s work was built upon by other independent local researchers, including David T. Jones with whom Kenney worked in the initial stages of the project to identify several possible sources of axe manufacturing.

As this became a wide-ranging landscape project, the team involved an army of volunteers to do the hard work, as well as children from local schools.  Different approaches were taken to excavation, beginning with 1m sq test pits, with everything bagged by layer and pit. Even at this early stage trend became noticeable, with flakes dominating and roughouts being found but later stages of manufacture, including completed objects, absent.  This was a pattern that was repeated at different outcrops.  Bigger trenches were opened that provided more detailed information, some of it near the outcrops themselves but others further down slopes where material had travelled over the centuries.  At the same time, more test pits were opened in newly identified areas.  The test pits, which investigated below the surface, supplemented the surface finds and showed that there was much more to be found.  As well as roughouts and waste materials, manufacturing tools like hammerstones were also found, helping to provide a more complete understanding of the manufacturing process.

Image showing the excavation of test pits forming part of the Carneddau Scheme. The workings were previously thought to be focussed only on the area of Graiglwyd axe factory but are now known to extend over a much wider area. Source: RCAHMW

Flint tool and flakes (waste materials from tool making) found at Maes-y- . Photographed at the temporary exhibition at the Penmaenmawr Museum

An exciting find above a a marshy area near Dinas that produced lots of axe-working debris and some finished axes may have been a settlement area, now called Maes y Bryn, where different activities took place. As well as axe debris, scattered over a wide area, there were lots of flint flakes scattered over the area, which are entirely consistent with a settlement site.  The flints were mainly flakes, the waste from domestic tool manufacture, which were probably domestic.

As well as the Neolithic findings, there were Bronze Age and Iron Age discoveries as well.  For example, not only has the Dinas outcrop produced plenty of Neolithic axe production data, but it has a very nice Iron Age hillfort on top, and there are plenty of Iron Age field systems in the area.  The early and later medieval use of the land is also of considerable interest.  The area clearly has a considerable amount of future potential, but for the immediate future the focus has to be on post-excavation work, with the challenge of dealing with the huge quantities of axe-making debris that was found:  163 buckets as of last year, and yet more of it this year!

The next talk, by PhD student Becky Vickers was a fascinating insight into how these 163+ buckets are beginning to be assessed.

Excavation of an axe production site in the Penmaenmawr-Llanfairfechan area

Investigating a test pit in the Penmaenmawr-Llanfairfechan area. Source: RCAHMW

 

Becky Vickers (PhD candidate, University of Sheffield)
New research on Axe-Making

Poster from the exhibition at the Penmaenmawr Museum showing some of the varieties of tool found on the outcrops on the Penmaenmawr mountain

The moment I saw that this talk was on the programme I was looking forward to it.  There are dozens of studies looking at flint and chert tool analysis and reconstruction, including how the waste flakes inform about the manufacturing process.  The essence of the approach is to look at how basic raw materials undergo a process of reduction, using stone and organic tools (wood, bone, antler etc) to strike a stone directly or indirectly (e.g. hitting an antler-made tool with a hammer stone to create a particular form). It is a lot less common for other types of stone tools to be analyzed using similar methods and perspectives, gaining an understanding of them from raw material to finished product and, beyond manufacturing, how they were used.

This was the main thrust of the first part of the presentation by Becky Vickers, and it was immensely informative.  She first took us through the anatomy of a tool and flakes, identifying key factors that indicate how the tools were made and how waste flakes can be distinguished from loose scree.  Three main stages of reduction were identified after the raw material had been sourced, which represent a process from rough-out (rough shaping of a piece of stone), through clearly identifiable shape, to final product.  Part of the research has been to study the waste flakes from the production process and the pieces of stone that were flaked away from what would become finished (or abandoned) tools.  Waste flakes can be just as informative as roughouts and finished products about the manufacturing process, an essential part of the production process, helping to answer questions about how flakes changed through various stages and where these stages took place.

Not only axes were made at the sites. From an interpretation board at the temporary exhibition.

Similarly, one of the many interesting points picked out here (amongst far too many to list in this post) is that not all of the axes produced in the Graig Lwyd and related areas were of the most traditional axe form.  Others were carved into shapes that could be used as both small and large general-purpose tools, as well as scrapers and picks. These give a sense of the versatility and different scales of the production process.  The hammerstones that would have assisted with the reduction of the stone to form tools are very rare, suggesting that they were valued items that were carried from the site when the work was done.

The analysis of the objects found suggests that these different processes took place at different locations.  Some of the initial work to create a tool from the raw material was found at the source of the stone.  Roughouts, the initial shaping of the stone into a piece that resembles the final tool, were also found at the source of the stone, but after that further refinement took place elsewhere, perhaps initially in at temporary, seasonal settlement sites that may also have been used as bases for pastoral activities, and were perhaps finished in specialized workshop areas.

A few of the 163 tubs of artefacts and waste flakes found during the project.  From the temporary exhibition at the Penmaenmawr Museum.

Another aspect of Becky Vickers’s work is experimental archaeology.  She has been working with experimental archaeologists Dr James Dilley and videographer and photographer Emma Jones, who have all worked together to carry out, record and understand the implications of end-to-end production processes.  See the video at the very end of this post.  Attempting to reproduce the original methodology to complete a final tool have been of real value to Becky Vickers. enabling her to to adapt her ideas. Experiments showed that 1700-3000 small flakes could be produced from one tool, depending on the reduction process chosen.  Interestingly, this is not at all well represented in the archaeological assemblage.  Many of the smaller flakes are now missing, either washed away by the weather or missed in the archaeological process.  Although she has over 163 huge tubs of finds to wade through, the job could have been much more challenging if all the very small waste flakes that must have been produced in the Neolithic had also been found!

Detail from an interpretation panel at the temporary exhibition

Sometimes is is clear that part-made axes deliberately destroyed, intentionally putting them out of action. This aspect of the research suggests that choices were being made about the suitability of a tool during the manufacturing process and, where an item was found to be wanting, it had to be disposed of in a particular way.

The analysis is to finish in spring 2016, and it will be very interesting to see some of the results.

 

We broke at this point for more tea and coffee.  Following both of the above lectures, a variety of questions were posed by the audience, and it was interesting to note that many of them centred on how the axeheads fitted into not only industrial and economic aspects of life, but on the wider question of how they were involved in how societies and individuals defined themselves and how such objects became culturally embedded with their own particular signficance.  It was handy, then, that the afternoon was wrapped up with the Headline Talk by one of Britain’s best known Neolithic specialists, Dr Alison Sheridan, who tackled these and other wide-ranging topics about axe manufacturing and the axe trade in Europe, Britain and Ireland.

 

Headline Talk: Alison Sheridan (Associate Researcher, National Museums of Scotland)
About the Wider World of the Axes

The Shulishader hafted axehead (Stornoway, Lewis)

The Shulishader hafted axehead (Stornoway, Lewis). Source: National Museum of Scotland

After hearing about the Penmaenmawr landscape, and its role in the axe trade, Dr Sheridan introduced the wider picture, and offering insights into the social importance of axes in Britain and Europe.

On a practical front, the axehead is an essential component of the toolkit for land clearance and for cutting and shaping wood for making houses, boats, other tools and weapons.  However, they were not all put to work.  Some were not destined to chop anything.  Both haft and axehead of the Shulishader axe, for example,found on the Isle of Lewis and dating c.3300-3000BC were beautifully shaped and seem to have been less for everyday use and more for display.  Whether valued for their utilitarian use or for the prestigious character of the item itself, they demonstrated a high level of interconnection between communities.  Some types of stone were obviously preferred and even when it was logistically challenging, items made of these preferred raw materials travelled over long networks.  The Irish Stone Axe Project, for example, has found at least 9000 porcellanite axes in Ireland.  The networks that distributed these tools presumably also helped to maintain social ties so that communities could support each other in times of need, for finding marriage partners, for exchanging ideas and for a great many other interconnections.

The distribution of axeheads from Penmaenmawr and Llanfairfechan

The distribution of axeheads from Penmaenmawr and Llanfairfechan across Britain. From the temporary exhibition at the Penmaenmawr Museum. Apologies that it is so lop-sided!

Dr Sheridan described how since the mid 1900s thin sections taken of rocks used for tool manufacture has enabled the study of mineral composition, helping to create a picture not only where these have been sourced, but how far these tools have travelled.  Although there were a number of quarries in Wales, axes were also imported from elsewhere, including one in southwest Wales from the Italian Alps.  The extent and complexity of these networks suggests that this was not just a case of economic models of supply and demand and factory-type production line manufacturing. Instead, Dr Sheridan argues that something more complicated was happening, with social and ideological factors driving production and movement.

In order to contextualize the axe trade, Dr Sheridan gave an overview of the establishment of farming and its associated new traditions with the arrival from Europe of livestock and crops.  Much of her work has been informed by DNA analysis of human remains, which suggests several periods of migration, resulting in the widespread adoption of pioneering new methods of farming by indigenous hunting populations.  Two strands in particular impacted Wales, one responsible for the types of megalithic tombs found on the west coasts of England, Wales and Scotland, and in Ireland and another responsible for the those who introduced the Carinated Bowl tradition.  They brought with them not only new economic activities, pottery and funerary traditions, but new domestic architecture based on farmsteads and new tool types.

Jadeitite axe, Kincraigy (Raymoghy) found in Co. Donegal, Ireland. Source: National Museum of Ireland

One of the remarkable aspects of the network of European trade, exchange and communication that grew up around axeheads is the arrival of polished green Jadeitite axeheads from high in the Italian Alps, which have been found as far away as the Scottish borders, County Mayo in Ireland, the Black Sea and Morocco.  These were special purpose objects that were never intended to be used.  The edges can be translucent when ground thin, so that when held up to the light the edges display a halo, and they can be polished to an almost mirror-like surface.  They were the subject of  the pan-European Projet JADE headed by Professor Pierre Pétrequin, a three year project from 2007-2010 that has produced four volumes of findings.  Dr Sheridan described how a strand of interesting ethnoarchaeological  work has been carried out in Papua New Guinea to gain insights into axe productions, where the highest mountains, being closest to the Gods, were seen as the ideal source of rocks for tool manufacture.  As Dr Sheridan said, every single axehead had an amazing biographical tale to tell, based on its perceived value as a prestige item.

Ehenside Tarn haft and axehead, Cumbria

Ehenside Tarn haft and axehead, Cumbria. Source: British Museum (POA.190.6)

One of the best-known sites for accessing the raw material for axeheads in Britain is Great Langdale in Cumbria, where a greenish rock was sought out.  Dr Sheridan suggested that both the choice of stone and its treatment were influenced by Alpine axeheads in terms of colour, shape, aesthetic beauty as well as its ability to take polish.  These were circulated long distance Britain and Ireland, with some performing a functional role whilst others seem to have performed a more ceremonial role.  The Great Langdale quarries were very heard to reach.  As with the Papua New Guinea example, the social value lies in the difficulty of obtaining stone in first place.

Dr Sheridan went on to describe other examples of British axehead finds, including the working of blue-green igneous riebeckite-felsite axeheads on Shetland, where people were making more axeheads than they could possibly use.  One site alone, a Neolithic house, produced a very unusual find of 12 axeheads, perhaps amassed as wealth to be exchanged with other communities.

The obvious question in discussion of exchange networks, is what Neolithic axeheads were exchanged for.  Dr Sheridan suggested that on the basis of evidence of extensive saltern production (salt made by evaporating sea water or brine from inland springs) axeheads could have been exchanged for salt.  Salt has always been a trade commodity, and although it can be difficult to detect archaeologically, it is a very intriguing line of potential research.

Seen in the context of Dr Sheridan’s talk, the Penmaenmawr axeheads are part of a much wider series of Neolithic networks that produced and distributed not only utilitarian tools, but items of status and prestige that could be preserved and curated to become components of more esoteric value systems.

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The Exhibition at the Penmaenmawr Museum

Geology of the Penmaenmawr and Llanfairfechan outcrops

An incredibly helpful portion of an interpretation panel at the temporary exhibition in the museum explaining the geology of the Penmaenmawr and Llanfairfechan outcrops. Click to enlarge.

We had intended to arrive early enough to see the small exhibition on the same theme in the Penmaenmawr Museum, but the A55 crawled along at 30mph nearly the entire way, so we had arrived just in time to sit down with a complementary coffee and utterly delicious chocolate Hobnob.  Fortunately we were fabulously lucky that some of the museum personnel were packing up at the end of the day, and one of their number generously allowed us in to see the exhibition after they should have closed for the day.  Thank you Suryiah for letting us in!  The exhibition was beautifully done.  Seven interpretation boards covered the geology, the process of axe production on Graig Lwyd and other outcrops, the types of tool found, and provided a cabinet full of axes in various stages of construction, waste flakes and some flint implements to provide an excellent idea of the range of items that were being found on the mountain.  Photographs of the interpretation boards and their beautiful photographs and illustrations have been used throughout this post.  It will be good to go back and see the entire museum on another day.
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Final Comments

The Graig Lwyd stone quarry as it looks today. Source: RCAHMW

It was a splendid afternoon of talks.  If you have the chance to hear any of the researchers speak in the future, do take advantage of the opportunity!  The lectures were being filmed, so hopefully they will become available online at some stage.

The sheer number of logos referencing so many organizations on the poster and on presentations says an awful lot about the complexities of funding and organizing something this complex, particularly in the long-term.  Thanks so much not only to the funders, organizers and speakers, but to the volunteers who provided cups of tea and coffee (life-saving), glasses of water and luxury biscuits, and to all the people who enabled the exhibition to happen, including the museum staff.  It was so well done.  The long round of applause at the end of the event said it all, but it was also great to see people queuing up to thank the organisers on the way out.

My thanks also to Helen Anderson not only for driving us, but for letting me know that the event was taking place.

 

A few selected pieces of further reading

These are bits and pieces from my own reading, not anything recommended by the organizers of the event.

Books and papers

A short list of general introductory reading

Polished axehead from Graig Lwyd stone found on Anglesey

Polished axehead from Graig Lwyd stone found on Anglesey. Source: Peoples Collection Wales

Burrow, Steve 2006. The Tomb Builders in Wales 4000-3000BC. National Museum of Wales

Edmonds, Mark 1995. Stone Tools and Society. Working Stone in Neolithic and Bronze Age Britain. Routledge

Malone, Caroline 2001. Neolithic Britain and Ireland. Tempus

Ray, Keith and Julian Thomas.  Neolithic Britain. The Transformation of Social Worlds.  Oxford University Press

Specific to Axehead Production (all available to view online)

Ennos, Roland and João Oliveira 2020. The mechanical properties of wood and the design of Neolithic stone axes. Journal of Lithic Studies. 8. p.11-24
https://www.researchgate.net/publication/359751898_The_mechanical_properties_of_wood_and_the_design_of_Neolithic_stone_axes

Pétrequin, Pierre and Alison Sheridan, Estelle Gauthier, Serge Cassen, Michel Errera,
Lutz Klassen 2015.  Projet JADE 2. ‘Object-signs’ and social interpretations of Alpine jade axeheads in the European Neolithic: theory and methodology.  In : T. Kerig and S. Shennan (eds.), Connecting networks . Oxford, Archaeopress, p.83-102
(Free to access, but you need a free Academia account):
https://www.academia.edu/13644414/PETREQUIN_P_SHERIDAN_et_al_2015_Projet_JADE_2_Object_signs_and_social_interpretations_of_Alpine_jade_axeheads_in_the_European_Neolithic_theory_and_methodology_in_T_Kerig_et_S_Shennan_ed_Connecting_networks_Oxford_Archaeopress_83_102

Sheridan, Alison and  Gabriel Cooney,  Eoin Grogan 1992.  Stone Axe Studies in Ireland. Proceedings of the Prehistoric Society 58, 1992, p.389-416
https://core.ac.uk/reader/325992590

Topping, Peter 2010. 3 Neolithic Axe Quarries and Flint Mines: Towards an Ethnography of Prehistoric Extraction.  In (eds.) Margaret Brewer-LaPorta, Adrian Burke and David Field. Ancient Mines and Quarries. A Trans-Atlantic Perspective. Oxbow Books, chapter 3.
(Free to access, but you need a free Academia account):
https://www.academia.edu/17310103/_2010_Neolithic_Axe_Quarries_and_Flint_Mines_Towards_an_Ethnography_of_Prehistoric_Extraction

Walker, Katherine 2015.  Axe-heads and Identity: an investigation into the roles of imported
axe-heads in identity formation in Neolithic Britain.  Unpublished PhD. University of Southampton, Faculty of Humanities (Archaeology), Volume 1 of 2
https://eprints.soton.ac.uk/383149/1/K.Walker%2520-%2520PhD%2520thesis.pdf

Williams, J.Ll.W. and Jane Kenney  2009.  Graig Lwyd (Group VII) Lithic Assemblages from the Excavations at Parc Bryn Cegin, Llandygai, Gwynedd, Wales – Analysis and Interpretation. Internet Archaeology 26
https://intarch.ac.uk/journal/issue26/williams_index.html


Websites and YouTube videos

Gwynedd Archaeological Trust
Group VII Axe-working Sites and Stone Sources, Llanfairfechan, Conwy. Report and gazetteer.  Project No. G2495. Cadw Report No. 1416. December 2017. By Jane Kenney
https://www.walesher1974.org/her/groups/GAT/media/GAT_Reports/GAT_report_1416_compressed.pdf
Landscape of Neolithic Axes: Report on fieldwork in 2021 at Llanfairfechan. Project No. G2495. Prepared for: Cadw. Report No. 1623. March 2022. By Jane Kenney and George Smith
walesher1974.org/her/groups/GAT/media/GAT_Reports/GATreport_1623_compressed_revised.pdf
Landscape of Neolithic Axes. Report on fieldwork in 2022 at Llanfairfechan. Project G2495. Prepared for: Cadw. Report No.1698. March 2023. By Jane Kenney and George Smith
https://walesher1974.org/her/groups/GAT/media/GAT_Reports/GATreport_1698_compressed.pdf

Heneb
Landscape of Neolithic Axes Project: Year 1 Test Pitting, Ty’n y Llwyfan, Llanfairfechan.
https://heneb.org.uk/wp-content/uploads/2024/11/fieldwork2019.pdf
Group VII Axe-working Sites and Stone Sources, Llanfairfechan, Conwy. Report and gazetteer.  Project No. G2495. Prepared for: Cadw. Report No. 1416. December 2017. By
Jane Kenney
https://heneb.org.uk/wp-content/uploads/2024/11/initialsurvey.pdf

A Research Framework for the Archaeology of Wales
Neolithic and Earlier Bronze Age. Version 03; Final Refresh Document February 2017
www.archaeoleg.org.uk/pdf/review2017/neolithicreview2017.pdf

Carneddau Landscape Partnership
Conserving and celebrating the landscape of the Carneddau
(The Carneddau landscape is an area stretching across almost 220 square kilometres in Northen Snowdonia. Its mountain uplands are dominated by Carnedd Llywelyn and Carnedd Dafydd – two of Wales’ five 1,000m peaks)
https://carneddaupartnership.wales/
Landscape of Neolithic Axes
https://carneddaupartnership.wales/project/landscape-of-neolithic-axes/

Penmaenmawr Historical Society and Museum
https://www.penmaenmawrmuseum.co.uk/

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See the website at www.ancientcraft.co.uk 

 

 

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The fabulous nature reserve at the RSPB’s Burton Mere Wetlands

Flying Canada Geese at the RSPB's Burton Mere wildlife reserveWhen I got up this morning and saw what a beautiful day awaited, I decided on the spur of the moment to go to the RSPB nature reserve on the Dee estuary at Burton.

Burton village, well-kept and firmly manicured, is located on the southwest of the Wirral, about 20 minutes drive out of Chester, an area now better known for giving its name to the nearby wetlands.  The wetlands are divided into two separate entities.  The first is the splendidly well organized and laid out nature reserve operated by the Royal Society for the Protection of Birds (the RSPB) which was specially set up for the benefit of birds and bird watchers, but accommodates general visitors too.  There is also a route through the wetlands on the far side of the RSPB reserve, and extending well beyond it, which is the Sustrans route number 568, developed for cyclists but welcoming walkers. It crosses the wetlands from Connah’s Quay, meeting the Wirral peninsula at just above Burton Point, and continuing on to Neston.  They provide two very different but both marvellous experiences of the wetland scenery.  I have already posted a short piece about my short visit to the Sustrans cycle and walking route in the Burton Point area, although I want to walk the whole thing eventually.

Greylag goose at the RSPB's Burton Mere wildlife reserve

 

A lapwing stretching its wings, whilst a common sandpiper stands by unimpressed

A lapwing stretching its wings, whilst a common sandpiper stands by unimpressed

The RSPB wetland reserve

Greylag geese with their bright orange beaks at the RSPB's Burton Mere

Greylag geese with their bright orange beaks at the RSPB’s Burton Mere

Several miles of wetland are enclosed within the RSPB reserve, which attract thousands of birds of many different species, with the river Dee invisible along the far edge of north Wales. The canalization of the Dee, completed in 1737, completely changed the environmental conditions of this part of the estuary, forcing the river to run along the Welsh edge of the estuary.  The canalized channel of the Dee is not visible from the nature reserve, but the miles of wetland are lovely.  There are huge expanses of pond and small lake, as well as flooded wetlands in the distance.  On a bright day with blue skies overhead it is gorgeous.  The reserve backs on to farmland at the rear, includes a woodland walk, and has a very attractive red sandstone railway bridge crossing the tracks below and even boasts the remains of an Iron Age hillfort which, if somewhat puzzling as an archaeological entity, has lovely views along the estuary towards Hilbre Island and across to north Wales.

 

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For bird watchers there is an enclosed viewing room where the ticket office is located, and throughout the reserve there are coverts and hides like the one above, all of them with benches, and all with windows suitable for both seated and standing visitors, and there are also viewing screens  and viewing platforms dotted throughout.

For less specialist visitors there are some splendid wending walks through the reserve, where water-loving plant and tree species abound, many in flower or producing berries at this time of year, and all providing a myriad of colours and textures over a base of deep greens and rich browns, which provide excellent resources for insect life.  The plants are so dense that where there is water running beneath boardwalks the water is scarcely visible.

 

The walks are all nice and even underfoot, many of the boardwalks coated in wire mesh to prevent them becoming slippery, and it is all beautifully maintained.  Being located on the side of the estuary, the nature reserve is nearly all on the flat.  All the main walks are wheelchair friendly, as are the hides and coverts.  There are actually four miles of signposted walks, as well as the woodland walk, which takes about half an hour.  There are plenty of benches dotted around for a moment of relaxation and contemplation.  Burton Point, at the furthest end of the nature reserve, is a tiny headland, which involves walking a short way up a slight slope and an informal footpath, and offers some great views along the estuary.  It is supposed to be the site of a small Iron Age promontory hillfort, but the evidence for this is difficult to see, although an interpretation sign does its best to offer a visualization of how it may have looked.

Even if you are not a regular bird watcher, the water birds are fascinating.  There are plenty of information boards showing what you are likely to see, and there is a whiteboard in the reception area showing a list of what has been spotted on a given and previous days.  Binoculars and cameras with enormous lenses (one of them in camouflage colours!) were very much in evidence and I soon found at why – my nice all-round lens, a 28-300mm zoom, was struggling desperately at its top end, and something much more powerful would have been helpful.  Do note that you can hire or buy binoculars from the reception area to get a better view of what birdlife is spending its time on the wetlands.   At this time of year the geese dominate, both in numbers and in voice.  Their honking can be heard wherever you are in the reserve, even when you can’t see them, There were Canada and greylag geese in great numbers, and a handful of Egyptian geese sunbathing on the far side of one of the stretches of open water, but there are plenty of other species too.

Greylag geese at the RSPB's Burton Mere nature reserve

There was something distinctly conversational, and rather cross, going on here, and you should have heard the honking!

Of the smaller water birds, as well as the familiar moorhens, coots and mallards, there were gorgeous lapwings and a variety of small wading birds, with slender legs and long beaks, including a common sandpiper that was distinguished by its rusty coloured plumage.  There were multiple grey herons looking like statues, waiting patiently for unsuspecting fish to swim by, and I spotted some tiny little fish in one of the ponds near the cafe which are presumably a popular part of the herons’ dietary intake.  There must be lots of reed-loving birds hidden in the wetlands, successfully shielding themselves from prying eyes.  There was apparently a spotted redshank, which was causing some excitement among the better informed bird watchers in one covert, but although I followed the directions that a father was giving his son (along the lines of – left of that greylag goose walking in front of that moorhen and then two back and one over) I was unable to spot it.  Bird feeders dotted around were attracting blue tits and great tits in great numbers and there were pied wagtails in some of the many trees that line the edges of some of the paths.  There’s an A-Z of bird species on the RSPB website.

One of many grey herons, on the hunt for unsuspecting fish at RSPB's Burton Mere

One of many grey herons, on the hunt for unsuspecting fish

This is a super place to visit, and seasonal changes in bird and plant life mean that there will always be something new to see, and there are plenty of butterflies, bees, dragonflies, damsonfiles and other insects to observe if you look carefully.  The grasshopper in the image below was particularly well camouflaged, and apparently there are sometimes lizards sunbathing in the sunnier patches.  On Burton Point there are rabbit warrens, and according to some of the signage (much of it directed at children, but still informative to older visitors) the local animals have a vibrant night life.

Spot the grasshopper

Regarding the hillfort on the promontory, Burton Point, there are websites that say that the small headland on which the site is located is privately owned and should not be entered without permission, but this is in fact now included in the RSPB reserve and is served by good footpaths and includes interpretation signage to give visitors some idea of what was here.  I’ll talk more about this site on a separate post.

Burton Point, a low promontory that overlooks the Dee estuary and is the possible site of an Iron Age Hillfort. In this photograph the footpath at far right leads into the woodland, where a vantage point looks down on the fortifications, but you can also see what remains of the fortifications at the far left of the photo where an earthwork is clearly visible

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Visiting the RSPB reserve

Meadow Brown butterfly beautifully camouflaged at the RSPB Burton Mere nature reserve

Meadow Brown butterfly beautifully camouflaged

The RSPB reserve is very easy to find, although if you rely on that Google SatNav, please note that mine, having been asked to find “RSPB Burton” informed us we had reached our destination before we had actually arrived.  Fortunately, if you use the What3Words smartphone ap, which is stupendous (narrowing locations down to metre-sized locations) you can find it at ///readings.sideburns.handicaps.  Other details can be found on the RSPB website which includes the address, postcode, as well as details of the current ticket price and full details about what the nature reserve offers the visitor: https://www.rspb.org.uk/days-out/reserves/dee-estuary-burton-mere-wetlands.

The RSPB site has been very well thought out, and is very welcoming.  A single lane road from Puddington Lane has speed bumps and plenty of passing places, leading to a well-sized car park.  Entrance is via a building with a look-out over the estuary.  The entrance fee is £7.00 at the time of writing (July 2025), which helps to support the charity. There is a nice modern cafe on site, which sells tea, very good coffee, cold drinks and snacks. This is also where the toilets are located.  There is a small shop next to the ticket desk that sells gifts, books and bird food.

I have been following the RSPB Burton reserve on Twitter for a couple of years, without ever having managed to get there, and every day they take a photograph of their whiteboard to give you an idea of what species have been observed recently so that you know what to look out for.  You can find this at https://x.com/RSPB_BurtonMere.  There is a placeholder for them on Bluesky but no content just yet.

I rarely give an opinion about wheelchair use, but there were actually several wheelchairs users out and about today.  It would not be possible to get wheelchairs up to the Burton Point hill fort, or navigate them down one or two of the little tracks that run at the back of the reserve, but all of the coverts and hides are wheelchair friendly and, for both wheelchair users and children, the viewing windows extend from low to high for both seated and standing visitors.  The same comments go for those with unwilling legs.

Dogs are not permitted, and nor are drones.

Excerpt from the RSPB's leaflet about Burton Mere

Excerpt from the RSPB’s leaflet about Burton Mere, showing the top things to do on a seasonal basis

 

The Burton Marsh cycle and walking route 568 along the Dee estuary, Wirral

In 2013 a track across the wetlands from Connah’s Quay via Burton Point to Neston was opened.  As part of the Sustrans cycle network it is known as Route 568 or The Burton Marsh Greenway, and an information board at the point where the route meets Station Road (see map at end) says that this section is now also part of the “King Charles III England Coast Path.”  This section of the route, Burton Marsh, is partly made up of metalled lane, and partly boardwalk, and is a terrific walk.  I had never heard of it until I was standing in what remains of the hillfort on Burton Point headland, part of the RSPB reserve, and saw it passing almost at our feet and beyond into the distance.  It is an extraordinary sight, a mainly straight track across the landscape, and such a brilliant idea.

I parked on the section of Station Road that runs parallel to the estuary, which is part of the cycle route to Chester, and is separated from the rest of the Burton Marsh stretch of track by a gate to keep the sheep in.  There’s a map showing where the parking is located towards the end of this post.  This walks is all particularly beautiful on a sunny day with a blue sky stretching to the horizon. A shifting sky, which one moment produced sun and the next light shade, brought out the textures and colours for miles around.  Because the estuary is so flat and vast it can be very breezy or windy, which was no bad thing on a particularly sticky July day!

 

I headed through the gate in the Chester direction.  Starting out from this point you are on a metalled lane and have fields rising on your left, currently planted with palest yellow barley, whilst on your right are marshland habitats stretching all the way to the river Dee running along the Welsh side of the estuary, with every shade of green you can imagine, dotted with bright clumps of flowering plants and layer upon layer of different textures.

The barley fields are soon replaced by a fairly short red sandstone cliff edge, which has been heavily quarried over the centuries.  Where this red sandstone becomes much more uneven and comes out towards the lane, there is a sign on your right that explains that here are the remains of an Iron Age hillfort at the top of this small headland.  This is fenced off, as it is RSPB land.

Burton Point

The lane pulls away from the headland heading out into the wetlands, and soon you find yourself on a long section of boardwalk, which rattles splendidly when cyclists come along, with the marsh habitats either side of you.

 

On a clear day the views seem endless as far as the way to the Clwydian Range of Wales.  The track gives a sense of how big that landscape actually is, and why it is such a special environment for wildlife, with aquatic plant life as far as the eye can see, and bird life launching itself in and out at surprising and random moments.  As well as plenty of Canada and greylag geese, both on the ground and in the air, there were dozens of skylarks, terns flying overhead and birds of prey too high to identify.  Unsurprisingly there were plenty of seagulls too.  Beneath the surface, there must be an awful lot more going on.

The intention was to walk for an hour and a half, see where that took me, and then turn back to retrieve the car, but the sudden onset of fairly heavy rain both greyed out the landscape and blocked the view so I only walked for around half an hour before turning around.  Even during that short walk, the views were superb and the environment absorbing, and one of the nice things about this is that however far you want to go, and from wherever you start, it lends itself to any length of walk.  I was chatting to a man on a bike who had stopped to watch a group of greylag geese, who had cycled from the middle of Chester and was going to visit his father in Neston before turning around and coming back, and by contrast there were a couple who were just out walking a short way with their dog and a child in a pushchair.  All very civilized and a great way of introducing a wide range of people to an entirely new environment in a very easy way.


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Visiting from near Burton Point

You can access the track free of charge from anywhere along its route.  Because it is all on the flat, it is suitable not only for walkers and cyclists but those with pushchairs, buggies, and wheelchairs.  There was even a man on one of those push-it-with-one-leg adult scooters.  There are gates at interfaces with roads because of the sheep.  Also because of the sheep there are frequent signs asking owners to keep dogs on short leads.   Having been followed for about half a mile by one particular sheep, which stopped and looked fixedly at me every time I turned around to see if it was still following me, I can confirm that sheep are a very likely to be encountered.

I have only done this from just north of Burton Point so far, a short drive from the A540 via the village of Burton, and you can park on the straight section of Station Road that runs along the estuary, and where there is plenty of room to park along the road (what3words: ///recur.films.dream if you have the Google-compatible app on your smartphone).  Station Road, as it leads back inland, also has some parking along its edges near to the estuary.  I have highlighted the main parking-friendly area on Station Road in the pink box below.

Convenient road-side parking near Burton Point marked in pink. Source: Streetmap.co.uk

If you fancy starting in Chester, you can set off from the Little Roodee car park, go around the Roodee itself, and then follow the track to Connah’s Quay and go from there.  Fortunately you don’t have to depend on my finger-in-the-air directions, because Sustrans has its own website with full details for Route 568, which you can find here.  It shows the sections where the route meets roads, and where it intersects with other routes in the network.

 

 

Julian Baum’s fascinating Festival of Ideas presentation about the geology and archaeology of the Dee

Many thanks to professional visual effects and 3-D graphics modeller and independent researcher Julian Baum for a really fascinating presentation about new research into the River Dee.

One of Julian Baum’s beautiful reconstructions of Deva and its outer buildings in the mid 3rd Century, based on data from archaeological excavations, showing the Roman town in the context of the river and the widening estuary beyond.

The talk focused on how the Dee’s formation, archaeology and several historic maps have raised a number of questions about the Roman river.  Julian made it very clear that the presentation would consist of a number of hypothetical scenarios based on observable features, none of which can yet be fully supported by the available data.  He and his fellow investigators Rod Hobbs and Peter France have been compiling their data for the last six years, and have produced a 17,000 word paper that has been sent out to experts on Roman stonework and hydraulic engineering for consideration.  As they continue to assemble responses to their proposals, the team are also looking for opportunities to work with other specialists to extract more data from the field.  So, accepting that these ideas need more data to test the hypotheses presented today, what are the questions being asked?

The presentation followed the formation of a new research group, which met in June for the first time and included specialists in a number of relevant fields.  A great many questions were asked at that meeting, but the two overarching research questions are as follows:

1) What do we know about the geology and geomorphology of the Dee valley in the Chester area? Although multiple glaciations impacted the underlying geology of Britain, it was the impact of the last glaciation that is of most interest for the second question.

2) What do we know about Chester and the nearby archaeology, from the prehistoric to early Medieval periods, with particular focus, initially, on the Roman period?

Julian Baum’s presentation then went on to introduce the geology and glacial history of the Dee valley before going on to describe three key archaeological questions.

The Chester weir

First, how old is Chester’s remarkable weir?  Traditionally it has been dated  to the Norman period when the notorious Hugh d’Avranches, better known as Hugh Lupus, began to introduce substantial architectural and civil engineering works to develop a strong economic, religious and social foundation for Chester.  There can be no doubt that Hugh Lupus undertook works on the weir.  What is less certain is if he was the first to establish a weir here.  The proposal by Julian Baum, Rod Hobbs and Peter France, just an intriguing theory at this stage, is that the weir may have been a Roman innovation, mirroring hydraulic works elsewhere in the empire, required to raise the level of the river upstream to enable the vast barges carrying essential building materials from Holt.  The initial round of research described in the presentation has produced considerable quantities of data about the river bed, about post-glacial sea levels and tidal information, as well as looking at all the available archaeological data published to date.  Divers have been consulted and the river boat captains have provided invaluable information about their own experiences with the river depth today, as well as seasonal variations in the navigability of the river.  As the presentation emphasized, much more research is required to test this proposal.  An academic paper has been written by the three researchers and is currently being circulated amongst specialist in the field, who have all expressed an interest in assessing the hypothesis.

The Braun map of 1571

The second question concerns two 16th century maps of the Roodee that show that the north western edge was an almost straight line. How can this straight line be explained?  Building on earlier archaeological discoveries the same researchers propose that this edge may have marked the position of a very long Roman timber jetty.  The line of wall usually identified as the old Roman quay near the modern HQ building at the east of the Roodee has been widely discredited, so the question of where the Roman quay was located remains open.  This proposal makes a great deal of sense, but it too needs testing, and Julian Baum proposed a number of ways in which this could be done using specialist equipment and taking advantage of the upcoming building works at the Roodee.  An interesting corollary to the proposal is that if there was indeed a jetty there, supported on presumably vast timbers, and of a width to enable wheeled vehicles and horses to reach ships moored up along its length, its collapse would have created a major disruption to river flow, and could have had a considerable impact on the silting of the river.

Chester amphitheatre

The third question concerns the archaeology of Chester and its environs prior to the arrival of the Romans.  Iron Age remains were found during the amphitheatre excavations of the 1980s, and there are other indications that there was a healthy Iron Age presence in the area before (and when) the Romans arrived.  This data needs to be collated before it can be assessed, and this is another aim of the research group.

All findings will be made available online on a dedicated website that is currently being built.  The website address will be made available as soon as it is launched.

With many thanks to Julian Baum and other team members, who were present on the day, for such a fascinating presentation.

 

Castell Dinas Brân, Castle of Crows above Llangollen – Medieval ruins and stunning views

I have been visiting Dinas Brân on and off for decades, but have never got around to writing it up.  It was one of my favourite walks with the family dog in the 1980s when my parents lived hereabouts.  Much later, a regular return trip between Aberdovey and Rossett gave me the opportunity to see the castle from various different angles in all sorts of weather, the conical hill on which it sits soaring from the Dee valley providing a commanding, impressive position that dominates the landscape.  I recently drove into Llangollen to go up to the castle on a hot day, prepared for a moderately steep walk from the canal bridge, correctly anticipating a slightly breathless arrival at the ruins.

This is a splendid walk.  It is only about 2km (1.3 miles) from the Eisteddfod Pavilion, where I parked, although uphill all the way from the Wern Road canal bridge, so it feels longer, and the views towards the castle and back over the valley are splendid.  The views from the castle itself are of course stupendous, both aesthetically and geologically.  The geology and geomorphology are mentioned in brief below.  More about parking, the different routes and conditions underfoot are towards the end of the post in Visiting.

 

Dinas Bran ruins

Castell Dinas Brân, a Scheduled Monument, is the story of two fortifications, one dating to the Iron Age, at around 600BC, the other a medieval castle dating to the 13th Century.  It is far from unusual to find Medieval castles built within the circumference of an Iron Age hillfort, because both were making use of the same strategic features:  a good view of the surrounding countryside, a defensible position, often above cultivable land, and access to water.  This post is about the Medieval castle.

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History of Castle of the Crows

The medieval castle

Window of what was possibly the Great Hall of Dinas Bran

Window of what was possibly the Great Hall of Dinas Bran

It is not certain which of the Powys Fadog rulers built Dinas Brân.  The most common suggestion is that the castle was built by Prince Gruffudd ap Madoc (c.1220-c.1270), beginning in the 1260s, but there is an argument discussed by Paul R Davies that it may have been built by his father Prince Madoc ap Gruffudd Maelor.

Valle Crucis Cistecian Abbey, founded 1201

From c.1190 Prince Madoc was ruler of Powys Fadog, the northern section of Powys, which had been split into two on the death of Madoc ap Maredudd in 1160.  He founded the nearby Cistercian abbey in 1201, and although his territory was comparatively small, he clearly had ambitions to establish his name and ensure his legacy, A castle would have been consistent with that intention, and as Davis points out, materials and workers could have been shared between the two sites.  Prince Madoc died in 1236 leaving four sons, of whom Prince Gruffudd was the only one to survive.  Whether Madoc started work on the castle or not, it is clear that Prince Gruffudd continued it, completing it well before the war of 1277.

Together with Powys Wenwynwyn to the south, Powys Fadog was sandwiched between the much larger territory of Llywelyn ap Gruffudd’s Meirionydd in the west of Wales and England to the east.  Llywelyn (c.1223 – 11th December 1282, also known as Llywelyn the last, grandson of Llywelyn the Great) and his brother Dafydd (1238 – 3rd October 1283) had been in a long-term power struggle with Henry III that erupted once again under Henry’s son Edward I.  Whilst the northeast territories provided a buffer zone between the two warring factions, their rulers were inevitably dragged into the question of where to bestow their loyalties.  There was never any certainty that the members of a single family would throw in their lot with the same side, and some, like Llywelyn’s brother Dafydd, switched sides at least once.

Wales following the 1267 Treaty of Montgomery showing Powys Fadog sandwiched between Gwynedd and England. Source: Turvey 2002, p.xxvii map 8

Prince Gruffudd was married to an English wife, presumably for diplomatic reasons, providing a nod of friendship to the English.  With Lady Emma Audely he had four sons, the eldest named Madoc, and one daughter.  Presumably seen as fair game by Llywelyn, Powys Fadog was attacked.  When Henry III was appealed to for help but did not come to Powys Fadog’s aid Gruffudd seems to have thrown in his lot with Llywelyn, arranging for peace between Meirionydd (Gwynedd) and the return of his territories by agreeing to the marriage of his eldest son Madoc to Llywelyn’s sister Margaret.  Dinas Brân was apparently built in support of the interests of Llywelyn the self-styled Prince of Wales, borrowing certain elements of architectural styling from Llywelyn’s castles, including the D-shaped tower at its southern side.

Gruffudd apparently died in around 1270, because it was in this year that his sons signed a grant to provide Lady Emma with lands of Maelor Saesneg to secure her future.  At this time ownership of the castle would have been split four ways between his sons, because primogeniture was the English but not the Welsh system of inheritance.  Instead of one son or daughter inheriting an estate, on the death of a father all property was divided between the remaining sons, with provision usually made for wives and daughters.  Each of Prince Gruffudd’s sons had his own decision to make in November 1276 when war broke out again between England and Wales.  However they started the war, Gruffydd’s eldest sons eventually submitted to Edward, but in May 1277 an English force sent to take possession of the castle found it in engulfed in flames and it was evident that the garrison left behind had remained loyal to Llywelyn.  The decision to burn and abandon the castle rather than defend or surrender it did not, however, completely destroy the castle.

After the Treaty of Aberconwy in 1277 Llywelyn paid homage to Edward, sitting to the left of the king’s throne, with Alexander of Scotland at the king’s right. The peace did not last.

After the Treaty of Aberconwy in 1277, Llywelyn’s power was confined to northwest Wales.  The English inspection of Dinas Brân to assess the damage caused by the fire found that although considerable superficial damage had been inflicted, the well-built castle was structurally sound and still of strategic value.  Henry de Lacy, Earl of Lincoln, wrote to Edward I recommending that the castle be repaired and garrisoned with English troops.

Following Edward’s triumph, Powys Fadog was abolished as a territory.  Edward gave ownership of the castle and all its lands to John de Warenne, the early of Surrey.  The castle, however, was no longer relevant as a symbolic stronghold of the former territory and now stood at the borderland of the new friendly lordships of Chirk, held by Roger Mortimer, and Bromfield and Yale by John de Warenne.  Instead of devoting any attention to Dinas Brân, de Warenne became busy building his new castle at the eastern end of Bromfield and Yale on the Dee crossing at Holt near Chester.

Ruins of Dinas Bran

Ruins of Dinas Bran

There is no record of the role performed by Dinas Brân, if any, during the final great conflict between Llywelyn and Edward of 1282, when the English were triumphant.  Llywelyn died on the battlefield that year, and Dafydd was captured and put to death in 1283.  As Holt Castle grew, Dinas Brân was abandoned.

A completely unsubstantiated legend concerns the fate of the two underage sons of Prince Madoc, Gruffudd’s eldest son.  Walter Tregellas in 1864 tells the story, in which Edward I conferred guardianship of the two boys on Roger Mortimer and John de Warenne:  “it is stated that the two children were soon afterwards drowned under Holt Bridge . . . This is said to have happened in 1281.”  He goes on to recount an even better version of the conspiracy, however: “it is uncertain whether the king himself did not cause the children to be put to death.”  There is no evidence whatsoever about what became of the two younger children of the prince of Powys Fadog.

Dinas Bran and the wonderful scenery beyond

Dinas Bran and the wonderful scenery beyond

The only hint that they castle buildings may have been re-used is a poem by Hywel ab Einion Llygliw Myfanwy Fychan in the 14th century, in which he claimed to have been rejected by the beautiful girl who lived there.  There is no evidence to support this later domestic occupation, but neither is there anything to deny it.  John Leland, visiting in 1536, found it in ruins.

 

The Victorians

Dinas Brân Castle by Alphonse Dousseau, c.1850. Source: The National Library of Wales, via WikiData.

When ruins became desirable romantic destinations, Dinas Brân was an obvious lure for painters (many of whom chose to paint safely from below) and more adventurous tourists.  The Holyhead road was the major route through north Wales, with Telford’s great route, now the A5, opening in 1826, and the railway was opened in 1864.  A local entrepreneur, demonstrating great faith in the spirit of adventure demonstrated by the new tourists, decided to make the most of the popular site and the first visitor provision was supplied in 1820, with a cottage added in the 1880s as a tea room together with an octagonal camera obscura, which was still in situ by the start of the Second World War.

Walking up the hill not far from the summit I found a piece of slender white clay pipe, about an inch long, on a piece of well-worn hillside.  This almost certainly belonged to the period of Victorian interest in the castle.

Victorian cottage built for serving teas to visitors on Dinas Brân. Source: People’s Collection Wales

 

The castle as it stands today

Fieldwork

Plan of Dinas Brân, both prehistoric and medieval, following the geophysical survey of 2017

There has been very little fieldwork at Dinas Brân, and even the antiquarian investigators who explored other sites seem to have felt that this was one challenge too many.  The only exception appears to be alocal treasure hunter who is mentioned in a journal entry by Lady Eleanor Butler of Plas Newydd, whose home was in full view of the castle, and who commented that their landlord had informed them that a smith from Dimbraneth “has been dreaming of more than a year past of treasure at Dinas Brân. Hew has within this week begun to dig.”  There is no report of any discoveries.

In 2017 a geophysical survey was carried out and this was quite comprehensive, addressing both the medieval castle and the prehistoric hillfort.  Although nothing conclusive was discovered, magnetic readings did suggest that a fire had scoured the ramparts, perhaps tying in with contemporary reports that the sons of Prince Gruffudd had set fire to the entire structure rather than surrender it to the English.

In 2020 a survey was carried out by the Clwyd Powys Archaeological Trust (CPAT) to assess the condition of the site, both the castle and the prehistoric hillfort, making recommendations to make it safer and more approachable for visitors and to manage archaeological impact.  Earthworks were noted beyond the hillfort but were not included in the survey.

CPAT excavation at Dinas Brân in 2021. Source: Heneb

It was not until August 2021 that the first archaeological investigation was carried out at the site, organized by CPAT.  It was a small exploratory dig, with four trial trenches both within and outside the castle walls.  The main aim of the project was less investigation of the history and more about assessment of the condition of the building’s foundations.  Although the excavations did no more than reveal the medieval floor surface, one sherd of medieval pottery was recovered and a “ledge/kerb was discovered projecting from the gatehouse wall, with a portcullis slot in it near the east end, and a fine masonry carved pillar base at the western end.”  In 2021 the Heneb report said that the excavation report was “awaiting a second phase of work in 2022,” but I have been able to find nothing about a 2022 excavation and no further reports.

Modern conservation work was carried out by Recclesia, who surveyed the site and inserted stabilizing rods into the south wall of the castle to ensure that it stays upright now and in the future.

The surviving architecture

Detail of an old interpretation board

The plan drawn by Tregellas in 1864. with annotations

The castle was very fine in its day, with imposing fortified walls and stone and timber buildings.  There are hints that there were decorative features.  I have annotated the plan drawn in 1864 by Walter Tregellas to make this easier to follow.  If you have walked up from Llangollen, and climbed the east-facing slope of the hill, you will have entered opposite the original entrance.  I had had a long wander around before tackling how the ruins relate to the original layout but when I got stuck into the site plan, I started at the entrance.

The ditch surrounding the castle

The site consists of a rectangular court orientated east-west, c.82m  by 35m, surrounded by a ditch dug out of the bedrock, which provided the material from which the castle was built.  As well as building materials available within the immediate vicinity, it was found that there was sandstone facing in certain parts of the castle, which would have provided it with both refinement and prestige.  It is not clear where this came from, but it is likely that it was sourced from the same location as the Valle Crucis ashlar.  The ditch surrounding the castle was an impressively deep and wide feature, running around three sides, the northern side of the castle being positioned directly over a steep drop.  At the southwestern corner of the ditch was once a well, the location of which is now very difficult to see.

An artist’s impression of how the gatehouse (right) and the keep (left) as they may have looked when it was first built. Source: Clwydian Range and Dee Valley

The original entrance was marked by a gatehouse that, being one of the points of weakness of the castle, was built so that it could be well defended, with twin English-style towers forming a gatehouse, each with hollow basements and, remarkably, appears to have been furnished with highly ornate rib-mouldings.  This is unprecedented in Welsh castle design and may have been copied from an English example.  One of the two gate towers still has the underfloor barrel-vaulted arch that was accessible from the courtyard; although it is now open to the outside, this would have been closed in the 13th century and is probably the enlargement of an arrow slit.  The vaulted room is closed to the public except on special open days.  The gatehouse was supplied with latrines on its northern side, that emptied down the walls into the ditch.

The vaulted undercroft in the gatehouse

 

The stairwell that lead up to the first floor of the keep

Heading clockwise from here, you encounter the square keep.  This was once an impressive building that helped offer protection for the gatehouse as well as the most vulnerable eastern approach.  It will also have provided a home for the main family members and a final retreat at a time of siege.  It was equipped with latrine which, like the gatehouse, emptied into the ditch.  Additional security was provided for the keep.  It could only be entered via a first floor door reached by stairs from a walled passage, and was separated from the rest of the castle interior by its own ditch, which would have been crossed by a liftable bridge.

Continue around to the right to follow what was once the long south curtain wall.  The section of wall with two giant openings in it was either the site of the castle’s Hall, where dining and socializing would have taken place, or its chapel. The two openings, providing plenty of light for interior, would have been about 1.8m (6ft) wide at their maximum width.  They would have had shutters to protect the castle from the elements, but no window glass.

At the far end of the Hall a doorway opened into a D-shaped tower that extended beyond the line of the curtain wall.  The D-shaped section has gone, but this tower was a major feature of the castle, rising to two if not three floors.  A good surviving example can be seen at the well known Ewloe Castle (about which I have posted here).  Again, this was a defensive measure providing archers good views over the ditch and the flanking walls. The ruins of the inners walls give a sense of the size of this half of the room. It is likely that part of this was used for the castle kitchens, which gives weight to the argument that the adjoining apartment was the dining hall rather than the chapel.

Further along this stretch and you will find yourself looking out between two sections of wall, a gap that represents the remains of the postern gateway.  As well as providing a useful secondary pedestrian entrance on the opposite side of the castle from the main gatehouse, this could also be used as a “sally port” that would allow foot soldiers to mount a surprise attack from an unexpected position.

A rectangular building at the west end may have been either the hall or the chapel or served another purpose.  This area is likely to be highly disturbed, archaeologically, due to the Victorian building works in this area. The rest of the interior would have been filled with timber-built buildings, including accommodation for servants, storage, stables and workshops.

 

The landscape  

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British Geological Survey geological timeline.

Standing on the peak of the hill, you are 305m (c.1000ft) above seal level.  Geologically, Llangollen is divided into two main formations.  At the top of Dinas Brân you are standing on one and looking at the other.

Beneath your feet the rock formations are dark grey Silurian shales and silstones, which were laid down as deep sea sediments and then subjected to metamorphic processes.  These are the same rocks that you see in the Dee river bed from the Llangollen bridge, with the rapids flowing over them.  The stone quarried from the ditches of this Silurian hillside were used to build the castle, and are uncleaved, around 30-40cm thick.

Above this layer in Llangollen is the heavily layered Carboniferous limestone escarpment that so dramatically forms a backdrop to Llangollen and Dinas Brân, laid down when the sea was warm and shallow.  The Devonian, which theoretically should have sat between these two geological periods, is missing, presumably because it was not under water in this area at that time, and did not form the rich, deep layers usually laid down in marine contexts.

The solid geology of Clwyd showing rock types. Jenkins 1991, p.14

Geomorphologically, the Vale of Llangollen is a typical U-shaped valley carved by the advancing ice and associated debris of the Welsh Ice Sheet as it advanced east.  The river Dee wends its way through this flat base, and former river beds are visible in the landscape, the former routes of the river blocked by the ice sheet, forcing water to find a new passage.

The  plant life that has settled into place on this isolated outpost is typical species that are capable of surviving on highly exposed rock with very little topsoil.  Drought-resistant annuals like foxgloves and swathes of rock-hugging perennial succulents like sedum anglicum are dominant at this time of year.


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Visiting

Map of the footpaths to Dinas Brân Castle (Kightly 2003, Denbighshire County Council)

The castle is on the open hilltop and is free of charge to access.  There are no facilities at all.  You will need to take water and any snacks with you, although there are plenty of facilities down in Llangollen itself.

There are two main approaches to the castle for walkers arriving by car from the east.  One is a longer walk from the valley bottom, and the other is a much shorter but slightly steeper walk from the other side, approached along the narrow road now marked on the map as the Offa’s Dyke Path (even though Offa’s Dyke does not actually follow this exact path).  A map taken from the bilingual booklet Castell Dinas Brân Llangollen (in their Enjoy Medieval Denbighsire series) shows two alternative routes, with variations. 

The easiest place to park if you are heading up from the valley is the International Eisteddfod Pavilion (marked as the Royal International Pavilion on the map), which offers a really lovely walk along the canal to arrive at the canal bridge where you cross to begin the walk.  The second approach is much shorter and takes you from the Offa’s Dyke Path, a single-track road that follows the line of the hill, and has spectacular views; there is no official parking here, although there is space to pull over and park for about 4-5 cars (being careful to leave passing spaces) and this gets full very quickly on fine days.  

Both routes require sensible footwear, whatever the weather.  I was wearing some excellent lightweight hiking trainers with heavy tread, perfect for a hot day, but in damper seasons I would go for hiking boots.  Although the path starts off metalled in Llangollen itself, mainly because it is one access point to the local school, it becomes much more uneven underfoot as the path goes on, with patches of coarse bedrock and scatterings of loose scree.

The Eisteddfod Pavilion is on the A539 on the way out of Llangollen towards Valle Crucis and the Horseshoe Pass.  The car park is big, with a pay and display system.  From here, go up out of the car park towards the canal bridge, and go down on to the towpath to the left of the bridge, turning to the right under the bridge to head east in the direction of Llangollen.  This is a lovely stretch of canal, passing the marina on your left.

When you reach the next canal bridge, with a cafe on the right, walk up on to the bridge.  Directly in front of you, heading straight up a short flight of stairs, is the public footpath.

From here on it is easy to find your way.  Just keep going straight up.  You first pass the school on the left, and a field on the right, with a gate at the top of this first stretch.  Go through the gate, cross the lane, and keep going up the other side.

You will pass various attractive buildings along the way, the largest of which is the Grade II listed Dinbren Hall, built with conviction but without a great deal of imagination in a very lovely location in 1793.

Soon you will reach another gate.  This has signage on the other side of it warning to inform you that you have now arrived at the foot of the hill, and to keep dogs on a lead (there are sheep all the way along this walk).

It is less even underfoot from here, with a very short uneven patch, but you will find that just over the other side the path opens out onto the hillside, with a clear view of the path ahead.

A very short uneven section of path, but it evens out just on the other side

 

Beyond this, along the steepest part of the route, the ziz-zag path marked on the map is beautifully maintained at the time of writing, with occasional stretches provided with a hand rail and long shallow steps where required.

This brings you out at the the west end of the castle, where the Victorian camera obscura and teashop used to be located.  If you are approaching from the other side, via the Offa’s Dyke Path, you will find a similar zig-zag arrangement to provide a less strenuous way up the hill than heading straight up the side.

Eastern approach to the castle

You can easily turn this into a circular walk from the Eisteddfod pavilion. For the quickest of the two easiest routes, come down from the castle onto the lane under the limestone escarpment and head downhill along the Wern Road, which takes you back to the canal bridge.  For a longer but really attractive route, continue along Offa’s Dyke Path, past Wern Road, which eventually heads downhill and comes out at the Sun Trevor on the A542; cross the road, cross the canal bridge, turn right and walk back along the towpath into Llangollen.  Although this is a much longer way back, it is all metalled lane and nicely maintained towpath, so is very easy underfoot.

Sources

Ordnance Survey Explorer no.256: Wrexham/Wrecsam and Llangollen.  Particularly useful if you want to make this into a circular walk, or to visit other local sites like the Horseshoe Falls and Valle Crucis Cistercian abbey.

If you are particularly interested in medieval architecture in the Denbighshire area, do download their bi-lingual PDF booklet Enjoy Medieval Denbighshire.

Map showing sites featured in the “Enjoy Medieval Denbighshire” PDF

Books and papers

Berry, D. 2016 (4th edition). Walks around Llangollen and the Dee Valley.  Kittiwake Books

Davies, John 2007 (3rd edition). A History of Wales. Penguin.

Davis, Paul R. 2021. Towers of Defiance. The Castles and Fortifications of the Princes of Wales. Y Lolfa

Kightly, Charles 2003.  Castell Dinas Brân Llangollen.  Denbighshire County Council (bilingual booklet with excellent illustrations, artist reconstructions, photographs and information)

Jenkins, David A. 1991.  The Environment: Past and Present. In (eds.) John Manley, Stephen Grenter and Fiona Gale. The Archaeology of Clwyd. Clwyd Archaeology Service, p.13-25

Jones, N. W., 2020. Castell Dinas Brân, Llangollen, Denbighshire: Condition Survey. Unpublished report. CPAT Report No. 1739
https://coflein.gov.uk/media/366/634/cpatp_144_001.pdf

Roserveare, M. J., 2017. Castell Dinas Bran, Llangollen, Denbighshire: geophysical survey
report. TigerGeo Project DBL161.

Tregellas, Walter 1864. Castell Dinas Bran Near Llangollen, Denbighshire. The Archaeological Journal, 21, p.114–120
https://archaeologydataservice.ac.uk/archiveDS/archiveDownload?t=arch-1132-1/dissemination/pdf/021/021_114_120.pdf

Turvey, Roger 2002. The Welsh Princes. The Native Rules of Wales 1063-1283. Pearson Education

Venning, Timothy 2012. The Kings and Queens of Wales. Amberley

 

Websites

Coflein
Castell Dinas Bran
https://coflein.gov.uk/en/site/307064/

Clwydian Range and Dee Valley
Dinas Brân
www.clwydianrangeanddeevalleyaonb.org.uk/projects/dinas-bran/

CPAT
Historic Landscape Characterization: The Making of the Vale of Llangollen and Eglwyseg Historic Environment
https://heneb.org.uk/archive/cpat/projects/longer/histland/llangoll/vlenvi.htm

Heneb
Castell Dinas Brân, Llangollen
https://heneb.org.uk/cy/project/castell-dinas-bran-llangollen/
Dinas Brân, Llangollen Community, Denbighshire (HLCA 1150)
https://heneb.org.uk/hcla/vale-of-llangollen-and-eglwyseg/dinas-bran-llangollen-community-denbighshirehlca-1150/

Recclesia
Castell Dinas Bran
https://recclesia.com/our-work/castell-dinas-bran

Scottish Geology Trust GeoGuide
Dinas Brân
https://geoguide.scottishgeologytrust.org/p/gcr/gcr19/gcr19_dinasbran

 

You can explore the castle from afar via this Sketchfab 3D model by Mark Walters.

 

A video showing the two main stages of occupation of the Dinas Bran hill, on the Clwydian Range and Dee Valley website, beginning with the hillfort and moving on to the medieval castle.

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Beyond the Walls: Chester circular river walk

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The dotted green line is the only way on to the footbridge avoiding steps.

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For those with unwilling legs please note that in [squared brackets, and highlighted in bold], are alternative routes that avoid steps and any other observed challenges.  On the above maps the dotted line in green, is the only way of getting on to the Queen’s Park footbridge avoiding steps.

As well as the numbered sites, turquoise stars show other sites nearby that may be of interest.  Each of the numbered and starred features deserves a post in its own right rather than the short burst of text allowed for each, but hopefully there is enough to make the walk informative as well as enjoyable, and in some cases I have hyperlinked to sites with more useful details.

You can download the text of the walk, including the maps, as a PDF here (but without the introduction, the list of sources and without ink-hogging images).

 

The dotted green line is the only way on to the footbridge avoiding steps

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Introduction

View through the chancel arch of St Mary’s Nunnery through to the Ship Gate. Grosvenor Park.

Together with the city walls, this is my favourite walk in Chester, incorporating some lovely riverside footpaths and green spaces beginning at the Little Roodee car park on Castle Drive.  The entire walk is on metalled surfaces, and is therefore very suitable for all seasons.  It starts with the Grosvenor Bridge, turning in to Overleigh Victorian Cemetery and taking it from there along the River Walk.

There is plenty to enjoy along the south bank of the Dee, with lovely and peaceful riverside walks separating points of interest such as Minerva’s shrine, Handbridge with the Old Dee Bridge and Weir, and the Queen’s Park footbridge. The Groves is the northern counterpart to the River Walk, with its Victorian grandstand and array of cafes, ice cream parlours and the southern stretches of the Roman-Medieval walls.  Back past the Old Dee Bridge, the walk takes in the former old Dee mills, the Gothic Revival hydroelectric station, the remains of the former prison’s outer wall, the Wheeler Building that houses the Riverside Museum and the Royal Infirmary stained glass, and then returns along the river bank to the Little Roodee.

Ice Cream parlour on The Groves

The walk takes in several periods of Chester’s architectural history, from the Roman, through medieval periods, skipping the early Stuart and Civil War years. The Bear and Billet public house on Lower Bridge Street represents the later 17th century, but most of the remaining architectural history on the walk resumes with the Georgian architecture of the 18th century, plunging headlong into ambitious Victorian expansion and alteration.  From a distance, seen from the Grosvenor Bridge, is the Art Deco water tower, which is a nice addition to the mix.  Two examples of the less fortunate periods of 1960s and 70s architecture that afflict Chester like a bad rash also appear, but although one of them is particularly bad (the “Salmon Leap” apartments on the Handbridge side of the Old Dee Bridge) the other is somewhat less objectionable (the ex-Cheshire County County building, now the University of Chester’s Wheeler Building).  A very modern building, nicely done on a budget, is the cafe in the Little Roodee car park with its environmentally friendly “green” roof.

 

The Walk

1) Roodee carpark, toilets and café

The Little Roodee Cafe

The walk starts from the Little Roodee car park on Castle Drive, which lies along the northern edge of the River Dee.  There are plenty of other places in Chester to park, and there is also the very reliable Park and Ride, but this is a useful place to start the walk, including a very nice café with excellent coffee and good snacks, with public toilets within the café (there are other public toilets on The Groves, opposite the bandstand, shown below).  The bottom of the car park provides a good viewing point for no.2, the Grosvenor Bridge.

For those wanting to explore the river walk to the east, circling the edge of the Roodee and over to the west of Chester, this is also an excellent starting point.

The postcode for the carpark is CH1 1SL or the exact location for the entrance to the car park is What3Words ///swung.statue.limp), which can be used in most SatNavs.  If you are coming in by Park and Ride, ask the driver tell you when the stop is approaching for Adobe (big black glass building) on the Grosvenor Road.  The return bus stop is opposite Adobe on the castle side of the road.

2) Grosvenor Bridge

The Grosvenor Bridge

For the best view of the bridge, head downhill in the car park towards the river and turn right towards the bridge, crossing under one of its vast arches.  Look back to see a great view of the the entire span.  For centuries the only bridge across the Dee at Chester was where the late Medieval Old Dee Bridge is now located, following the line established by the Roman bridge at the end of what is now Lower Bridge Street.  This was becoming seriously congested by the 18th century, when both the population and the economy were growing at a considerable pace, and a new bridge was an urgent requirement.  Local architect Thomas Harrison won the contract with his daring proposal for a 200ft (61m) single span that would not interrupt tall-masted river traffic.  It was not merely a new artery for Chester, but a statement of civic pride.  A plaque in the side of the bridge records that work began after an Act of Parliament was passed in 1825, and was paid for by a public loan of £50,000.  It was opened by Princess Victoria on 17th October 1832 (5 years before she became Queen), and was paid for by tolls on both the Grosvenor and Old Dee bridges until 1885, when the tolls were abolished.  The bridge remains a monumental and impressive sight today.

The Grosvenor Bridge shortly after construction. Source: Wikipedia

Retrace your steps and head back up the car park, passing in front of the cafe, and up the flight of steps to the Grosvenor Road, cross at the pedestrian lights, and turn left to walk over the bridge.  [If you want to avoid the steps, head to the other end where the car entrance is, turn left and walk up the road, Castle Drive, to the head of the steps on the corner, and cross at the pedestrian lights and turn left across the bridge].  

From the top of the bridge you can look right (or west) over the Roodee racecourse on the north bank of the river, and the impressive houses that formed the new middle class suburbs of Curzon Park which was developed in the 1840s to accommodate wealthy residents who wished to escape the narrower confines of the increasingly busy and commercial city. Some of the bigger of these buildings have been converted into apartments today.  Look left (east) and you can see the spire of St Mary’s Without The Walls, as well as the Handbridge water tower, a local landmark that is visible from various points in the Chester area, and was influenced by Art Deco designs.

Curzon Park

3) and 4) Three memorials in Overleigh Victorian Cemetery

After crossing the bridge, walk for perhaps 30 seconds and you will see a gateway on your left with wrought iron gates, one of which is open to provide access for pedestrians into the Victorian cemetery.  If you are on the opposite side of the road, there is a traffic island almost opposite to make it easier to cross.  Walk towards the information board and the bench, and pause.  The walk will continue downhill to the right, but we are briefly detouring to the left to see two of the most interesting of the memorials in the cemetery, one of which is a puzzle until you see it on the early 1850s engraving of the cemetery.

Entrance to Overleigh Cemetery

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Overleigh Cemetery in the early 1850s. Source: Wikipedia

Overleigh cemetery was given the go-ahead by the Chester Cemetery Act in 1848.  The land was acquired from the Marquis of Westminster, who exchanged it for a shareholding in the company.  Work was forced to stop for seven months when the money raised was spent, and was not completed until new shareholders could be found.  The cemetery opened in 1850.  Like the Grosvenor Bridge, Overleigh Cemetery, was not merely the result of a Victorian efficiency drive and the desire to return a profit, but also a matter of improving the city in ways that demonstrated a profound interest in the character and status of the expanding city.  Although the cemetery was a pragmatic response to the inability of churchyards to meet demand, the layout and planting of the cemetery reflect country house garden and leisure park designs, with curvilinear drives, gothic revival architecture, a lake, plenty of of trees of different types and a rustic bridge.  Sadly, the only survivors of the architectural features from the 1850 design shown on the above engraving are the tall thin monument at far left, discussed below, and the rustic bridge at far right.  You can read more about the cemetery and its fashionable and elegant design on the blog here.

Now head left past the bench and stop a few seconds away in front of a nicely executed faux Grade II listed Gothic shrine featuring an effigy beneath tan elaborate canopy. It puzzled me that there was no inscription on the shrine, but the actual grave ledger lies flat in front of the shrine over the top of the actual grave, complete with the elusive inscription.  The shrine belongs to the Reverend Henry Raikes, who died in 1854, aged 72. The shrine was designed by architect Thomas Penson, who was the landscape architect for the entire cemetery and who built several buildings in Chester.  It was erected in 1858, funded by public subscription, the progress of which was frequently reported in the local newspapers.  As well as the former Chancellor of the Chester, Diocese Raikes was a philanthropist, a trustee and governor of the Blue Coat Hospital and one of the founders of the Chester “Ragged Schools” that provided education for pauper children.

The ruins of the Robert Turner memorial

Immediately to the right of the Raikes shrines, the second monument of note is the grave marker for Robert Turner (1790-1852), a Chester brewer and wine merchant who, in 1848 was Sheriff of Chester, a largely administrative but important function with the responsibility of keeping the peace, closely linked in to the work of the courts and the prison.  The memorial as it stands today looks very peculiar, a bit like a three-tier cake on space-rocket jet nozzles.  The clues to its original appearance actually still lie at its feet.  Three stone columns lie horizontally, when not semi-concealed by undergrowth.  Look at the engraving above and find the building at top right that looks like a little Classical temple.  This is how the Turner grave marker originally looked. It collapsed at some time in the past, and the tiered roof and although it has been considerably tidied up, reconstruction is no longer possible, and this strangely truncated form is all that is left standing of the memorial monument.

Retrace your steps past the bench and head down the hill until you reach a tall monument (4) in a triangular intersection of the cemetery drives and pause to have a look at it. 

This is not a burial monument but a memorial to William Makepeace Thackeray, 1790-1849, (uncle of the famous novelist) who moved from Denbigh to Chester to practice, and became a great success as a physician, and was renowned for his philanthropic and charitable works. He was buried in Chester Cathedral, but this memorial and its inscriptions celebrate his achievements, including “His attention to their charitable institutions / His consideration for the sick and needy / His kindness to the schoolboy and the orphan.” The memorial also serves as a useful anchor for the cemetery, a suitably impressive focal point that helps to give this part of the cemetery a sense of cohesion.  This is also a very good position to pause and take in the wonderful selection of mature trees, most of which were planted when the cemetery was first laid out.  There is a variety of species, and they were an essential part of the parks-and gardens style layout that was very popular in the Victorian period.

Head to the left. You will see the gateway pillars straight ahead of you.  This opens on to River Lane.  Turn left on to River Lane and turn right when you reach the end, heading east along the lovely River Walk.  The walk from Overleigh to Edgar’s Field is a nice one, consisting of a metalled road flanked by trees and shrubs, with fields to the south and views of the river, depending on the time of year, to the north.

You will emerge from the path onto a short residential road, Greenway Street, and opposite is another gateway, this time into Edgar’s Field. 

5) Edgar’s Field

The entrance to Edgar’s Field

Go through the gate into Edgar’s Field

Edgar’s Field is an open green space given to Handbridge by the first Duke of Westminster in 1892.  The name Edgar, so the story goes, refers to the early medieval King Edgar, great-grandson of Alfred the Great, who was crowned King of England in both Bath and Chester.  His Chester coronation was said to have followed a meeting near the field in AD 973, with leaders (either six or eight) from other regions  after which he was rowed by members of the visiting delegation to St John’s Church, just a little further upriver.  How much of this is legend and how much reality is anyone’s guess.

6) The sandstone outcrop 

Straight ahead there is a choice of going uphill to the right or sticking to the river walk on the left.

You will go right, but pause to look at the amazing sandstone outcrop.  This is a particularly nice piece of bedrock, formed of sedimentary layers laid down, during the Triassic period, 252 to 201 million years ago, when the landscape consisted of Sahara-like desert and abraided rivers.  This is also the period when the dinosaurs Pseuduchium Archosaur (ancestral to modern crocodiles and alligators) and Chirotherium are found, survivors of the Permian extinction (in which 95%) of dinosaurs were wiped out, and of which fossilized footprints have been found in the Triassic sandstones on Hilbre Island at the top of the Wirral.

Sandstone formations on Edgar’s Field

The various lines and colours visible in the Edgar’s Field rock represent the different layers of sediment (bedding) that were laid down by rivers and floods that were laid down as muds and have built up over time.  Nice features include both cross-bedding and slumping, geological features exclusive to sedimentary rocks.  Differences in colour reflect differences in the chemical composition of the sediments as they were laid down, a dramatic example of which is shown in the above photograph of the outcrop.  See more about the Cheshire sandstone in this PDF on the Sandstone Ridge Trust website.

Walk along the path to the right of the outcrop.  A second outcrop appears on your right, and on the face that looks over the big open green is the Minerva shrine, so leave the path and walk up the green slope.

7) Edgar’s Field and the Minerva Shrine

When you are standing in front of the shrine, you will find it very water-eroded.  It is carved directly into outcrop, one of only two known to be still in situ in Britain, and is a Grade II listed Scheduled Monument (1.45m high and 0.73m wide).  The sandstone surround is Victorian in date, added in the hope of preventing further erosion.

The Roman 20th Legion, the Valeria Victrix, arrived in Chester (Deva) in AD76, and in one form or another the Romans remained in Deva until around 380.  Although outside the Roman city walls, Handbridge was an important location because it was the quarry for the Roman town and its walls, the source of its red sandstone building blocks.  Further along the path on an interpretation board is a reconstruction of what the shrine would have looked like, originally with an owl on Minerva’s left shoulder, possibly holding a shield in her left hand, and a spear in her right hand.  Minerva was an interesting choice.  Although better known goddess of wisdom and knowledge, she also served as a protector for those engaged in defensive war, a subtle distinction from aggressive war that might well be attractive to those building protective walls.  The little cave to the right of the shrine was probably carved out to hold votive offerings.  The area around the shrine was excavated in the early 1920s, revealing both that the quarry was in use at around AD100 and that subsequently soil was imported to cover the quarry floor in the late-second century. Roman occupation remains dating from that time on were found on the site. The site was again used as a quarry during the Middle Ages, when Historic England speculates that the Minerva carving may have been re-interpreted in Christian terms and re-used as a Christian shrine.

It is worth walking down to the edge of the river, through the line of magnificent lime trees, to enjoy the excellent views over the medieval Old Dee Bridge bridge.  From there, follow the path for a short distance to the gates out of the park.  You now have the Old Dee Bridge on your left and Handbridge on your right.

8) Handbridge

Handbridge

Handbridge has always has an extra-mural personality of its own.  From the mid 12th century there were mills and quays at Handbridge, when parts of the district were owned by St Mary’s Benedictine nunnery, which seems to have taken over the entire manor by the 13th century.  In the late 14th century industrial activity seems to have been represented by the production of glass, and by the 15th century it is thought to have been a popular area of Welsh migrant settlement.  Welsh residents in the 16th century included a high percentage of the city’s brewers and ale sellers. In the Victorian era it became known as one of the poorer areas, with a high proportion of industrial worker.  Today Handbridge has gone upmarket and is now an attractive residential location with a villagey-atmosphere, with some excellent cafés and pubs for those looking to take a break at this point.  Both Spoilt for Choice and Brown Sugar cafés are great brunch/lunch stops, and the Old Ship Inn is a very fine pub.

Nathaniel Buck’s view of Handbridge in 1928. Source: MutualArt

9) The Old Dee Bridge 

Do not cross the bridge, because the walk continues on the same side of the river, but if you want to stand in the middle and admire the weir, discussed next, it’s an excellent place for getting a good view. 

The Old Dee Bridge

The oldest known bridge to cross the river at this point was Roman, carrying the Via Praetoria from the south gate over the river to link up with the Roman road network, with roads leading directly from Chester to the southeast via Whitchurch to Wroxeter (Vicronium) and the south to London (Londinium) and Caerleon (Isca), and along the north Wales coast to Holyhead (Segontium).  It must have been rebuilt several times over the 300 years of Roman occupation.  The current late Medieval bridge replaces an early Norman bridge, but apparently fell down during the floods of 1227 and had to be replaced.  The construction is interesting.  It is built of the usual local red sandstone, but for reasons unknown, instead of being evenly distributed along the length of the bridge, the arches are each of a different width, giving it a splendidly individual appearance.

The Bridgegate on the opposite side of the river is discussed below.

10)  The Weir

Staying on the same side of the river, cross the road and follow the line of the river for a few steps until you get a good view of the weir.
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Very little is known about the weir itself.  It is generally agreed that it was at least Norman in date, but whether it was actually the elaboration of a Roman innovation is open to debate.  The Romans certainly built weirs, some of them very substantial, but at the moment there is insufficient information to determine the earliest date for it.  Walk a little further down by the side of the river and you will see that on the near side of the weir there are a series of very wide water steps, forming what looks a little like a stepped waterfall; this is a salmon leap, built to enable the fish to navigate their way upstream for spawning.  On an open day at the monitoring station last year I saw one of the salmon being caught for weighing and it looked huge!

The Salmon Leap

11) River monitoring station and ornamental water wheel

Probably the least attractive feature of the Chester riverside is a row of 1960s apartments that you will see from the north side of the river.  You now pass under the concrete overhang of these apartments. There are lovely views over Chester on your left, and you  will reach a small island with a building on it.  

River monitoring station

Water wheel reconstructed in 1988 by the Chester Civic Trust

This is the river monitoring station, where various tests are carried out on the water quality and the condition of the fish themselves.  I was lucky enough to be there on an open day last year when  an enormous salmon was pulled out for weighing before being returned to its journey upstream.  In front of it is a small water wheel, which was installed in the 1980s as a reminder of the former Dee mills that used to be a dominant feature of the medieval riverside and an all-important feature of Chester’s economy in the Middle Ages.  Beyond it is a small sluice that once regulated water into the narrow channel that forms the island.

Carry on walking along the Riverside Walk, enjoying the greenery, until you reach the footbridge, which passes above the path, but has a flight of shallow steps running up either side of it so that you can reach the bridge from the path. [The alternative approach to the bridge, avoiding the steps from the river walk up to the bridge, is a rather long way round and is shown on the above maps as a dotted green line that takes you along Queens Park Road and around Victoria Crescent].

 

12) The lovely Queen’s Park footbridge

In 1851 it was decided that Chester needed a second suburb, in addition to Curzon Park, to be named Queen’s Park, and this was developed throughout the 1850s.  This was also built on the south bank of the river, this time opposite The Groves.

In 1852 a suspension footbridge was built to connect Queen’s Park with Chester, becoming the Queen’s Park Bridge.  The predecessor of the current Queen’s Park footbridge was built in 1852. In 1922 this was taken down, and work began on a new suspension bridge that opened, with some ceremony, in April 1923.  For more information about the opening of the bridge and its contemporary conditions of use, see the entry on the Cheshire Archives and Local Studies blog.

Conceptually, the bridge is the polar opposite of the vast solidity and monumentality of the later 1832 stone Grosvenor Bridge. The 1923 bridge is superbly elegant with delicate lattice metalwork. This latticing and the suspension cables supply a light, airy feeling, which is something to do with the sense of it hanging freely rather than being solidly rooted in the riverbed.  It is a perfect partner for the light-hearted promenade known as The Groves, with its lovely buildings and the similarly elegant bandstand, which is still used today, and the little ice-cream turrets.  Pride in the achievement, common to so many Victorian enterprises, is declared in the panels at the top of the suspension towers, which give the name of the bridge and the date of its construction.  Just as on the Grosvenor Park Lodge, the bridge’s towers feature the shields of Chester’s Norman earls.

13) The Grosvenor Park

The understated river-side entrance to the Grosvenor Park at the end of the footbridge

Walking off the bridge on the Chester side you will see a flight of steps straight ahead of you.  Just before the steps, on your right, is the understated gateway into the Grosvenor Park. 

I have included the park partly because it surprises me how many residents and visitors seem to bypass it, and it is lovely on a sunny day.  The Grosvenor Park was the brainchild of Richard, the second the Marquis of Westminster, following the example of similar projects elsewhere.  Like many wealthy Victorians, he undertook a number of philanthropic projects, and in 1867 the park opened for the benefit of local Chester inhabitants.  Unlike many town and city parks this one was not paid for partly by subscription; it was, in its entirety, a gift to the city from the Marquis, who chose the designer of the successful Birkenhead Park, landscape architect Edward Kemp (1817-1891), to lay out his new public space.

Today it is a beautifully maintained space with a miniature railway operating in the summer, a rose garden, a couple of vantage points from which to inspect the views over the river and some lovely wide open spaces, together with the shade of trees for those who prefer a bit of cover, in which to relax.  Although this is not a formal park, in terms of the big municipal floral plantings that characterize some English parks, there are colourful beds dotted around and at the top left corner of the park there is a charming wheel-shaped rose garden that is lovely in the summer months, with a variety of colours, and some lovely scented species, with benches around its edges.  As in the cemetery, which had opened 17 years previously, the trees were seen as a major feature of park and there are some splendid specimens.  The pond may once have been ornamental, but is now surrounded by tall reeds, providing a splendid refuge for wildlife.  I have seen the rails for the miniature railway but not the train –  I really must find out when it runs!  There is plenty of seating throughout the park, and as well as permanent sculptural pieces, there are often temporary modern art installations dotted throughout, which may or may not be your cup of tea, but are always genuinely interesting, and usually reference the natural world.  Look out for information panels dotted throughout the park.  The lodge, discussed next, serves as a coffee shop during the summer.  It’s not on the map because it is closed in the winter.


Ferris wheel in the Grosvenor Park

 

14) Four Medieval monuments

The arch from St Michael’s Church

As you walk into the park along a metalled path, you will soon come to a set of three clearly medieval (as opposed to mock-gothic) monuments set back from the main path, with a little side path of its own.  These were all moved here from elsewhere in Chester, and serves as a miniature outdoor museum.  The first one that you encounter is a gothic arch from St Michael’s Church, which is still standing but was largely rebuilt in the 1840s by James Harrison, and it is possible that the gateway was removed at that time.

Next, following the side path is the little Jacob’s Well, originally installed on The Groves as a drinking fountain and at its base a water dish for dogs.  The keystone inscription is from the New Testament and reads “Whosoever drinketh of this water shall thirst again.”  Finally, and most impressive of the three, is the arch and flanking niches that once linked the nave of St Mary’s monastic church to its chancel, a sad reminder of the absolute total loss of St Mary’s medieval nunnery.  The photograph of it is below under no.27, where the nunnery is discussed.
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Keep walking across the intersection, bearing right, and you will immediately come across the Ship Gate, which once sat to the west of the Bridgegate at the end of Lower Bridge Street providing pedestrian access  from the riverside to the city.  This was moved three times, first in 1831 to a private garden in the Abbey Square, next in 1897  to the Groves and finally in 1923 to its present location in Grosvenor Park.

The Ship Gate, looking back towards the St Mary’s chancel arch

Between the St Mary’s arch and the Ship Gate there is a path going uphill to the main park, with handrails, shown in the photograph above.  Walk up the slope to the main drive towards the statue at the end.

15) Viewing platform over the Dee

If you follow the main drive to the statue of Richard, the second the Marquis of Westminster, you will see, slightly to your right, a large viewing platform with seating around its circuit.  The view over Chester meadows towards Boughton was probably a bit better in the late 1800s, but is still good today.

16) Grosvenor Park Lodge

When the park was opened in 1867, it had a lodge at the main gate and this remains today, used as a café in the summer months.  It was designed by successful local architect John Douglas who is best known for the Eastgate Clock, but who built a great many buildings in different styles in Chester.  It was built in the popular half-timbered revival style over red sandstone.  The brightly coloured statuettes on black timbers on the lodge show King William I, who appointed Hugh d’Avranches, better known as Hugh Lupus as the first Earl of Chester from 1071 until his death in 1101.  Hugh is shown, together with the successive Earls of Chester, ending with John de Scot (from 1232 to 1237), who died without heirs, after which the earldom reverted to the Crown.  Various family shields show locally relevant themes including the golden sheaf of the Grosvenor family, the portcullis of Westminster and the Chester city coat of arms.

17) The Grosvenor Park Archaeological Excavation

Grosvenor Park Excavations in 2024

Near to the rose garden, to its east, and for several weeks every year since 2007, an archaeological excavation takes place using students of the University of Chester to investigate the complex historical narrative of this area.  The project was initiated to provide information about the Church of St John the Baptist, and the later use of the area, including a house documented to have been built in the late 1500s by Sir Hugh Cholmondeley which was later destroyed in the English Civil War.  At the same time, given the proximity of the Roman amphitheatre on the other side of St John’s, it was hoped that some information pertaining to  extra-mural activities under the Romans might emerge, and how the position and ruins of the amphitheatre, as well as the influence of the church, impacted on the later use and development of the surrounding area.  In 2025 the excavation took place between during May.  Visitors can see the excavation taking place, and the site directors and supervisors are very happy to answer any questions from the public.  An excavation Open Day is always organized towards the end of the excavation too.

18) The ruins of the east end of St John’s Church

Ruins at the east end of St John the Baptist’s

Leaving the park at the west, where the exit puts you on the path that leads back down to the footbridge, you find yourself at the east end of St John the Baptist’s Church.

St John the Baptist’s Church, marked with a green star next to the number 18, has a long and fascinating history, which is far too complicated to deal with here.  The current church was established in the 11th century outside the city walls and was the original Chester Cathedral and a collegiate church.  Its architecture is splendidly dominated by the Romanesque, featuring vast columns and gloriously rounded arches, has a wonderful if faint painted fresco, and contains a fine collection of early medieval stone funerary memorials.  Its monumental sense of indestructibility is somewhat misleading, however, as its tower came down in its entirety on Good Friday in 1881.

Without going into the church, however, you can wander around the ruins at the east end of the church.  There are plenty of information boards to explain what is going on, but the short version is that in the mid-1500s the church was too large for the congregation and the decision was made to truncate it by sealing off the eastern end which, deprived of its roof, rapidly deteriorated into ruins.  These ruins contain a splendid Norman arch, which once gave access to the chancel, as well as the usual gothic lancet (pointed) arches, shown in George Cuitt’s engraving below.  One of the other of the many features is the puzzling inclusion of an oak coffin at the top of one of the gothic arches, facing outward, shown above left.

The ruins of St John’s in the first half of the 19th century, showing a splendid Norman Romanesque arch in the foreground, which still stands, and a gothic lancet arch in the background.  By George Cuitt

19) The Anchorite Cell / Hermitage

The Anchorite cell in the grounds of St John the Baptist’s Church

Just downhill from St John’s, at the base of the steps [or thread your way back through the east end of the park by taking left turns, back to the entrance at the bridge], look over the fence on your right to see the lovely so-called anchorite cell, Grade II listed.

The lovely little building sits on an outcrop of red sandstone bedrock.  An anchorite is a religious recluse, someone who decides to retreat from all form of society, even monastic, to pursue a life of prayer and devotion. The building seems to correspond to a number of  references to an anchorite chapel and cell dedicated to St James in the cemetery of St John the Baptist’s church, opposite the south door.

The earliest story, unsubstantiated (and generally discredited), comes from the priest-historian Gerald of Wales (d.1223), who records that King Harold II was not killed at the Battle of Hastings, but was wounded and fled to Chester, where he lived at the cell (or hermitage) for the rest of his life.  British History Online says that this was the only such building that seems to have had a degree of permanence: “In the mid 14th century it held monks of Vale Royal (1342) and Norton (1356) and a Dominican friar (1363), and in 1565 a lease of property formerly belonging to St. John’s College included the ‘anker’s chapel’.”  The Freemen and Guilds of The City of Chester website mentions that at some point the building was used by the cordwainer guild (shoemakers) as a weekly meeting place “until they sold it in due course to a Mr Orange, and spent the proceeds on a party,” but provides no date.  It was expanded in the late 19th century, when the porch of the recently demolished St Martin’s Church, which was being demolished, was moved to form a new north entrance.  It was renovated in the early 1970s, but I can find no mention of how it is being used today.

20) and 21) The Groves

The Groves are a Victorian invention. The earliest section is The Groves East, which has some very attractive residential buildings facing the river, including an Italianate terrace, a Georgian-style terrace built in the early Victorian period and the revival half-timber rowing club boathouse, as well as cafés and pubs.  There are some good views over the riverside buildings on the edge of Queen’s Park, opposite.  Between 1880 and 1881 the western section that is most obviously a promenade area was laid out by Alderman Charles Brown.

As well as the lovely Grade II listed bandstand and delightful little octagonal ice cream huts, the city walls are particularly impressive here, towering above the river with some big chunks of bedrock at their base.  From here you can also enter the Roman Gardens (shown on the map with a green star), by following the line of the wall into a corridor between the wall and a restaurant.  Just about where the no.21 is marked on the above map is a flight of steps leading up to the walls.  These are known as the Recorder’s Steps, built in around 1720, linking the walls and the fashionable promenade to provide ease of access.  If you want to continue your walk by doing a circuit of the walls, this is a very good place to start, particularly as there is a map of the walls at the bottom of the steps.  The walls either side of the stairs are an interesting mix of different periods of construction, with one or two puzzling features.

The most attractive of all the public toilet buildings in Chester! The Groves West, opposite the bandstand.

As you walk towards the Old Dee Bridge, look over the river to see the concrete apartments under which you you walked earlier.  These, in the so-called Brutalist style, are the “Salmon Leap” buildings and  were built starting in the late 1960s until the mid 1970s, which look rather like a bar code.  In the interests of naming and shaming, they were designed by Liverpool architects Gilling Dod and Partners from Liverpool.  I recall that when I was visiting my parents once, many years ago, they were painted pink (salmon pink??), which was indescribably bad.

22) The Bridgegate

Nathaniel Buck’s Old Dee Bridge, showing the Bridgegate with the massive 1600 water tower as it was in 1728. Source: MutualArt

Today’s Georgian gateway, carrying the walls over Lower Bridge Street, is the latest iteration of the first gate built here by the Romans to defend access to the Via Praetoria.  By the Middle Ages all the bridge’s predecessors had been replaced by a medieval gateway that had a central pointed arch, which carried the walkway, and was flanked by two round towers.  This was quite an understated affair, but became considerably more noticeable when a tall, slender water tower was added to the west tower in 1600 to pump water from the river into the city (shown on the above image).  It was destroyed during the Civil War, but is recorded in earlier engravings.  The medieval Ship Gate, one of the architectural features preserved in Grosvenor Park, was a pedestrian archway giving access to the city Just to the west of the Bridgegate (towards the car park), which has already been mentioned in connection with the Grosvenor Park, where it was moved in the 1830s.

The Bridgegate, with the Bear and Billet on the other side of the gate

On the city side of the Bridgegate, on your left as you look uphill, is the Bear and Billet public house, which looks like one of the original half-timbered buildings but is in fact part of the revival of timber-framed buildings after the Civil War, in which multiple buildings were destroyed, and was built in 1664 for the Earl of Shrewsbury. See the picture near the end of the post in Sources.

As Chester’s population expanded during the 1700s, the increasing size of vehicles and the need for two-way traffic to pass into and out of the area defined by the walls resulted in the destruction and replacement of the medieval bridge.  The yellow sandstone Georgian arch that survives today was built in 1782 to a design by Joseph Turner (c.1729–1807), a successful local architect.  It supports a walkway that connects the two parts of the city walls that flank Lower Bridge Street.  Although not particularly imaginative, it is elegant in a typically Georgian way.

23) The Dee Mills and the hydroelectric station 

The Old Dee Mills in the 19th Century, with the Bridge Gate to its right and the Old Dee Bridge at its side. Source: Chesterwiki

The area around the Old Dee Bridge was busy from the Roman period onwards.  In the Middle Ages this part of the river was the site of several water mills, and mills continued to be built here until the last one burned down in 1895 and was knocked down in 1910.  In 1913 the site was used to establish a hydroelectric station, part of which survives in the form of the gothic-style building that sits below the bridge in the corner with the north bank, but this went out of use in 1951 and is currently vacant.  You can still see the hydroelectric station in situ on the walk, and the Ship Gate is still visible in the Grosvenor park (photograph further up the page at no.14), but the mill is only preserved in pictures.

The former hydroelectric station

24)  Prison wall

The remains of the west side of the river wall of the former prison, with its distinctive arches, next to the Wheeler Building.

Although it is captured in paintings and engravings, there’s almost nothing left of the former prison, although it was a very substantial building in its day.  Both the prison and the river wall with its inset arches can be seen on this painting below by prolific local artist Louise Rayner (1832-1934).  All that remains is the former river wall with its inset arches, and even this is a matter of noticing that it is there, rather than actually seeing it, even from the opposite side of the river, as it is hidden by extensive tree growth.  It is marked by the fact that it projects slightly into the river.  There are two places where the inset arches are visible, first by the railings opposite the Wheeler Building, where you can lean over and look back, and rather more accessibly there is small a section to the side of the Wheeler Building, which carries the path back up on to the walls, shown here.  Up until 1785 the prison was based in the Chester Castle dungeons, but by the mid-18th century it was very clear that this was no longer fit for purpose, and when it was decided to build a new prison, architects were invited to submit designs to a competition.  Thomas Harrison, who is mentioned below in connection with the revitalization of the castle, won the contract, and new riverside prison opened in 1793.  Less than a century later, in 1865, it was unable to cope with demand, and it was rebuilt, opening again in 1869.  It was demolished in 1902.

The Chester prison by Louise Rayner, showing the river wall along which we still walk today

 

25) The Wheeler Building, housing Royal Infirmary Stained Glass and the Riverside Museum

Objects from the collection of the Riverside Museum in the Wheeler Building

The University of Chester’s Wheeler Building, a vast block of a thing on your right as you head towards the Little Roodee car park, was built in 1857 as the former Cheshire County Council headquarters.  Although there is not much to say about it as a piece of architectural heritage, it does contain two really valuable items of local heritage interest.  On the first floor of Wheeler Building you can find the stained glass that was once installed in the Victorian Royal Infirmary (opened in 1761, closed in 1994 was converted for residential use in 1998), and about which you can read more on the Chester Archaeological Society blog here.  The Riverside Museum, which usually opens only once a month, is a permanent collection of curiosities from the world of medicine, nursing, midwifery and social work, in addition to an original letter written by Florence Nightingale from Balaclava.

Just past the Wheeler Building, you can walk up the path that follows a slope up the old prison walls onto the city walls for the last stretch of the walk. If you take the opportunity, you get some views over the river, and the best angle to see this side of the castle. [There are no steps upto and off this stretch of the walls, but if you have a wheelchair or buggy, there is a dogleg turn that may be difficult to negotiate]

26) The Castle

The Agricola tower

Chester Castle today is a bizarre and not terribly attractive mixture of Neoclassical and medieval when seen from the front.  The original castle following the Conquest of 1066 was a timber-built motte-and-bailey castle, but this was replaced by the medieval stone castle in the late 12th century.  The Neoclassical bolt-on was architect Thomas Harrison’s solution to the dilapidated state of the building in the Georgian period.

From the walkway along the walls you can see the square Agricola Tower, which dates from around 1190-1200, and this and the Flag Tower are the only survivors of this early stone-built castle.  The tower is opened at least once a year for visitors to see around the vaulted chapel and 13th century wall paintings that are thought to have been ordered by Edward I for his use of the castle as a base during his negotiations with the Welsh princes.  That’s high on my to-do list.

Leaving the walls, you can walk up to the entrance to the castle if you want to see the view from the entrance.  Otherwise, cross the road at the pedestrian lights, taking note of the big black modern building squatting on your right as you cross the road and go a short distance to the covered viewing point, where there are interpretation boards, and have a look over the Roodee.

Nathaniel Buck’s 1728 engraving of the castle. Source: chesterwalls.info

 

27) The Roodee and the site of St Mary’s Nunnery

The race course on the Roodee

Nathaniel Buck’s Prospect of the City of Chester 1728 showing The Roodee. Source: chesterwalls.info

The Roodee is now home to the Chester racecourse, with the earliest race here held in 1539, but it also formed the edge of a river port second in size to Bristol on the western coast of Britain, supporting a successful trade along the coast and across to Ireland, as well as a thriving shipbuilding industry.  The commercial value of the river began to decline at the end of the 18th century as the river began to silt up, and did not survive the 19th century.  However, the archaeology of the river at the Roodee dates back to at least the Roman period when there was a harbour at the river and excavations in 1885 revealed the remains of a jetty near the railway viaduct.  The above engraving by Nathaniel Buck shows the medieval tower, connected to the walls by a fortified walkway, which was once at the water’s edge, demonstrating how silting was impacting the port of Chester even at this stage.

Turn so that your back is to the Roodee.  Over the road was the site of St Mary’s Benedictine Nunnery. 

St Mary’s Convent was founded in 1140 and survived until the Dissolution in 1535,on the north side of today’s Nun’s Lane, which is the small road that runs along the top of the Roodee and the race course.  It was built just inside the city walls, a little to the west of the castle. This became quite a large monastic establishment with a relatively compact cloister around which were the usual domestic and administrative buildings along three sides, with the monastic church on the fourth side, and a larger separate courtyard with more buildings arranged around it. A double-cloister arrangement was not at all unusual in wealthy monastic establishments, but the nunnery was notable for its financial difficulties even though it owned and rented out several properties in Chester, and from the 13th century owned the manor of Handbridge.  The last surviving piece of architecture from the nunnery survives in Grosvenor Park, which preserves the red sandstone arch and flanking niches that once separated the church’s nave from its chancel.

Archway and flanking niches from the former St Mary’s Nunnery, looking through to the Ship Gate

The black glass and red sandstone building on the other side of Nun’s Lane, Abode (built in 2010), replaces the former police headquarters, which was an eyesore of a very different type, and between the police building being knocked down and Adobe being built, an archaeological excavation took place.  As well as what are thought to have been significant Roman discoveries, the remains of the nunnery were excavated, producing both architectural and funerary remains, as well as discarded objects.  Quite who was responsible for seeing that the excavation records were published I don’t know, but one of the great tragedies of Chester heritage was that the small company responsible for the excavations never did publish, and no-one seems to know where the excavation reports and any preserved materials might be located.

The remains of St Mary’s Nunnery in 1727. Source: British History Online

After the 1536 Dissolution, when the nuns dispersed, the land and buildings were granted to a member of the Brereton family, in whose hands it remained until the 17th century.  Its best known resident was Sir William Brereton, who was the Cheshire commander of the Parliamentary forces during the Civil War, when the buildings came under fire, were badly damaged and were never repaired.  As ruins on valuable land within the city walls they were soon replaced.  At the west end of the former site, architect Thomas Harrison, who has been mentioned several times above, built St Martin’s Lodge for his own use, now sympathetically converted into the gastro pub The Architect.

The walk is over!  Retrace your steps back over the Grosvenor Road into the car park, either via the steps on the corner, or down Castle Drive and into the main entrance, which avoids steps.
xxx

Final comments

I particularly like this walk because of the sheer amount of diversity that it introduces to the experience of Chester, beyond what you can find on a walk around the walls or a stroll around the main streets and the rows.  This is a slightly different slant on Chester, one that takes place nearly entirely beyond the walls, where there is space for promenades, open green spaces, a massive race course, a Victorian cemetery, river walks and of course some marvellous bridges and views over the surrounding area.  Neither urban nor suburban, this walk focuses on the in-between borderland of the riverside.

The shortlink for this post is: https://wp.me/pcZwQK-7BG

Braun’s Map of Chester, 1571 showing the RooDee with a grazing cow at left,  Handrbidge at the bottom, and the Old Dee Bridge connecting Handbridge with the Bridgegate. Source: chesterwalls.info

 

Sources

Books and Papers

The Bear and Billet

Boughton, Peter 1997. Picturesque Chester.  Phillimore

Carrington, Peter 1994. Chester. English Heritage

Cheshire West and Chester Council 2012.  Explore the Walls. A circular walk around Chester’s historic City Walls.  Cheshire West and Chester Council

Clarke, Catherine A.M. 2011. Mapping the Medieval City. Space, Place and Identity in Chester c.1200-1600.  University of Wales

Herson, John 1996. Victorian History: A City of Change and Ambiguity. In (ed.) Roger Swift. Victorian Chester.  Liverpool University Press

King, Michael J. and David B. Thompson 2000.  Triassic vertebrate footprints from the Sherwood Sandstone Group, Hilbre, Wirral, northwest England. Proceedings of the Geologists’ Association,
Volume 111, Issue 2, 2000, p.111-132

Langtree, Stephen and Alan Comyns (eds.) 2001. 2000 Years of Building: Chester’s Architectural LegacyChester Civic Trust

Laughton, Jane 2008.  Life in a Late Medieval City. Chester 1275-1520. Oxbow

Martin, Richard 2018. Ships of the Chester River. Bridge Books

Mason, D.J.P. 2001, 2007. Roman Chester. City of the Eagles. Tempus

Mason, D.J.P. 2007. Chester AD 400-1066. From Roman Fortress to English Town. Tempus.

Ward, Simon 2009, 2013. Chester. A History. The History Press


Websites

Based in Churton
Overleigh Cemetery in Chester, Parts 1 and 2 by Andie Byrnes
https://basedinchurton.co.uk/category/overleigh-cemetery/

British History Online
Religious houses: Introduction
https://www.british-history.ac.uk/vch/ches/vol3/pp124-127

The Cheshire Sandstone Ridge
The geology of the mid Cheshire Sandstone Ridge: Our landscape story
https://www.sandstoneridge.org.uk/lib/F715451.pdf

Chester Characterisation Study
St John’s Character Area Assessment
https://www.cheshirewestandchester.gov.uk/asset-library/planning-policy/chester-characterisation-study/e-chestercharacterisationstudystjohns.pdf

Chester Heritage Festival YouTube Channel
Four Minute Wonder:  The Sandstone Outcrop by Paul Hyde, 2024
https://www.youtube.com/watch?v=fxgoKh_4FXk
Four Minute Wonder: The Grosvenor Park Lodge by Paul Hyde, 2024
https://www.youtube.com/watch?v=Td67domdAWQ

Chesterwiki
River Dee Geology
https://chester.shoutwiki.com/wiki/River_Dee_Geology

Curiouser and Curioser: Tales from Cheshire Archives and Local Studies
A Grand Day Out in Chester: celebrating 100 years of the new Queens Park Suspension Bridge
https://cheshirero.blogspot.com/2023/04/a-grand-day-out-in-chester-celebrating.html

The Freemen and Guilds of the City of Chester
Cordwainers
https://chesterfreemenandguilds.org.uk/about/

Heritage Gateway
Post Dissolution Use of Former Benedictine Nunnery
https://www.heritagegateway.org.uk/Gateway/Results_Single.aspx?uid=MCH18993&resourceID=1004

Historic England
Roman quarry including Edgar’s Cave and the rock-cut figure of Minerva on Edgar’s Field, 150m south west of Dee Bridge
https://historicengland.org.uk/listing/the-list/list-entry/1014718
The Hermitage, The Groves
https://historicengland.org.uk/listing/the-list/list-entry/1375947

The Spoonster Sprouts
Brutalist Architecture in Chester: A Guide. By Tom Spooner, 15th July 2024
https://thespoonsterspouts.com/brutalism/chester-brutalist-architecture/

A Virtual Stroll Around the Walls of Chester
Old Maps and Aerial Photographs of Chester – Nathaniel Buck
https://chesterwalls.info/gallery/oldmaps/prospect.html

Wikipedia
Henry Raikes
https://en.wikipedia.org/wiki/Henry_Raikes


Upcoming

The Historic Towns Trust map for Chester should be a great aid to anyone planning their own heritage walk.  Although I have one on order it hasn’t arrived yet. You can find details on the Trust’s website where you can also order a copy:
https://www.historictownstrust.uk/maps/an-historical-map-of-chester

 

View of the City of Chester by an unknown artist, mid 1700s. Source: Victoria and Albert Museum, accession number 29635:57

 

Nathaniel Buck’s South West Prospect of the City of Chester, 1728. Source: Mutual Art

View from the East Groves to Queen’s Park