Peter Carrington’s excellent guided walk of Roman Chester during the Festival of Ideas

Dr Peter Carrington, an experienced archaeologist specializing in Roman history, author of the English Heritage book Chester, and editor of the Journal of the Chester Archaeological Society always heads a guided walk as part of the city’s two annual festivals.  This year he introduced a large group of us to what remains of Roman Deva.  We had all received an introductory handout beforehand by email, which as well as outlining the history of the city, included maps and images of aspects of Roman Chester that could only be represented visually.  We met up at the canal bridge just outside the Northgate, so that we could look back towards the stretch of city wall that extends east, high above the bedrock channel that contains the 18th century canal.

Here, just on the other side of the bridge over the canal, a line of Roman wall is still clearly visible, originally topped by an ornamental cornice, the remains of which still survive, bizarrely incorporated into the later walls.  It is thought that the wall originally stood to around 15ft (c.4.5m).  It was news to me that the original defences had been turf-built, and that single layers of stone walling, leaning up against the turf wall, were subject to subsidence and patches of collapse.  The inward-leaning profile of that surviving section above the canal may be explained by that process of subsidence, and this is probably responsible for much of the rebuilding necessary around the walls.  We went up on to the walls and as we proceeded clockwise towards the cathedral, looking over the edge at key points along the way, some of the complexity of the original Roman design was explained.

Walks around the walls are always popular with tourists and residents alike, but sometimes it is what we can see at the base of the walls that tell us most about the Roman past.  When we left the walkway along the top of the walls to examine sections of Roman wall at the foot of the later walls, in Northgate gardens and the Kaleyard and opposite the amphitheatre we learned about the difference between the massive, uncompromising blocks of Roman stonework and the later medieval and Victorian sections of much smaller, sometimes rounded stonework.

The amphitheatre itself is one of Chester’s most well-known tourist attractions but because nearly half of it remains buried under a hideously decaying eyesore of a building, part of which is Georgian and all of which has been abandoned (shocking tourists), the story is only partially told.  Even so, two sets of excavations have revealed an enormous amount of details about the chronological history of the site, which was the biggest Roman amphitheatre built in Britain, with clearly visible phases of enlargement preserved in what remains today.   Peter talked us through the different phases, and explained how the interior would have looked and how the timber sections of seating would have been built and arranged, painting a verbal picture of a much more elaborate building than we see today.  As Peter pointed out throughout the walk, understanding the vertical past of Chester is far more challenging than getting to grips with its horizontal footprint.  It is hoped that the report on the post-Roman history of the site, also of profound interest, will be published in the upcoming months.

The Roman Gardens, which connect the amphitheatre area with The Groves, represent a particularly nice way of bringing together various features of Roman Chester in one place.  The signage explains how much of it relates to the original city, and explains how the hypocaust looked and worked and how the reconstructed mosaics were based on those found in excavations.

By the end of the walk the group had been given a great sense of where Deva is still to be found, and what the fragmentary remains represent.  Given the importance of the town and the scale of the architecture both within and outside the walls, it is remarkable how completely Medieval and more recent Chester have eliminated Rome’s once considerable footprint.

With many thanks to Peter Carrington for a fascinating introduction to Roman Chester.

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